04414 am 22006253- 450 991031193040332120231214145435.01-78374-541-X10.11647/OBP.0149(CKB)4100000007595558(OAPEN)1004281(MiAaPQ)EBC5651728(oapen)https://directory.doabooks.org/handle/20.500.12854/38341(EXLCZ)99410000000759555820190306018 xx uy 0enguuuuu---auuuutxtrdacontentcrdamediacrrdacarrierThe Juggler of Notre Dame and the Medievalizing of ModernityVol. 6: War and Peace, Sex and Violence /Jan M. ZiolkowskiOpen Book Publishers20181 online resource (332)62035e27-8ddf-462a-9850-b67b11f462441-78374-539-8 1-78374-540-1 Intro; Contents; Note to the Reader; 1. Juggler Allies; France; Great Britain; United States; 2. The Juggler by Jingoism: Nazis and Their Neighbors; Virginal Visions; Belgium; The Netherlands; Germany; Curt Sigmar Gutkind; Hans Hömberg; After the War; Austria; 3. Portrait of the Artist as a Young Juggler; Richard Sullivan, Notre Dame Professor; R.O. Blechman, Cartoon Juggler; Robert Lax, Poet among Acrobats; Tony Curtis, Prime-Time Juggler; W.H. Auden, The Ballad of Barnaby; Music from Massenet to Peter Maxwell Davies; 4. Membranes of Things Past; Misremembering and Remembering"This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame tells how an entertainer abandons the world to join a monastery, but is suspected of blasphemy after dancing his devotion before a statue of the Madonna in the crypt; he is saved when the statue, delighted by his skill, miraculously comes to life. Jan Ziolkowski tracks the poem from its medieval roots to its rediscovery in late nineteenth-century Paris, before its translation into English in Britain and the United States. The visual influence of the tale on Gothic revivalism and vice versa in America is carefully documented with lavish and inventive illustrations, and Ziolkowski concludes with an examination of the explosion of interest in The Juggler of Notre Dame in the twentieth century and its place in mass culture today. In this concluding volume, Ziolkowski explores the popularity of The Juggler of Notre Dame from the 1930s through the Second World War, especially in the Allied Resistance. Its popularity in the United States was subsequently maintained by figures as diverse as Tony Curtis and W. H. Auden, and although recently the story and medievalism have lost ground, the future of both holds promise. Presented with great clarity and simplicity, Ziolkowski's work is accessible to the general reader, while its many new discoveries will be valuable to academics in such fields and disciplines as medieval studies, medievalism, philology, literary history, art history, folklore, performance studies, and reception studies."Juggler of Notre Dame and the Medievalizing of Modernity. Volume 6Juggler of Notre Dame and the Medievalizing of ModernityHistory of art: Byzantine & Medieval art c 500 CE to c 1400bicsscLiterature & literary studiesbicsscFolklore, myths & legendsbicsscUnited StatesCivilization20th centuryMiddle Agesreception studiesModernitymedieval studiesmedievalismphilologyliterary historyart historyfolkloreperformance studiesclassical musicLe jongleur de Notre DameHistory of art: Byzantine & Medieval art c 500 CE to c 1400Literature & literary studiesFolklore, myths & legendsZiolkowski Jan M.1956-161415Open Book Publishers,BOOK9910311930403321The juggler of Notre Dame and the medievalizing of modernity1927734UNINA