04250oam 2200721 a 450 991030996040332120230621135402.00-472-90118-41-283-33436-497866133343670-472-02773-510.3998/mpub.3432847(CKB)2550000000060324(MH)012970168-8(SSID)ssj0000554454(PQKBManifestationID)12270510(PQKBTitleCode)TC0000554454(PQKBWorkID)10512849(PQKB)11731547(OCoLC)759398134(MdBmJHUP)muse748(MiAaPQ)EBC5119651(MiU)10.3998/mpub.3432847(MiAaPQ)EBC4977997(MiAaPQ)EBC6533809(Au-PeEL)EBL4977997(CaONFJC)MIL333436(OCoLC)1011234571(Au-PeEL)EBL6533809(OCoLC)1195819719(ScCtBLL)b306aeab-d698-4cce-9ed9-6000722b6c4c(EXLCZ)99255000000006032420110216d2011 uy 0engur|||||||nn|ntxtccrBytes and backbeats repurposing music in the digital age /Steve SavageAnn Arbor, Mich. :University of Michigan Press,c2011.1 online resource (x, 251 p. )Tracking popBibliographic Level Mode of Issuance: Monograph0-472-11785-8 Includes bibliographical references and index.Repurposing presentation. Application study : rock band ; Studio study : lipsmacks, mouth noises, and heavy breathing ; Art or artifice? -- Repurposing performance. Application study : jazz piano trio ; Studio study : capturing the unintentional performance ; Artist or artisan? -- Repurposing participation. Application study : African folklore and music communities ; Studio study : from iPod to GarageBand ; Integration or (dis)integration?"From Attali's 'cold social silence' to Baudrillard's hallucinatory reality, reproduced music has long been the target of critical attack. In Bytes and Backbeats, however, Steve Savage deploys an innovative combination of designed recording projects, ethnographic studies of contemporary music practice, and critical analysis to challenge many of these traditional attitudes about the creation and reception of music. Savage adopts the notion of 'repurposing' as central to understanding how every aspect of musical activity, from creation to reception, has been transformed, arguing that the tension within production between a naturalizing 'art' and a self-conscious 'artifice' reflects and feeds into our evolving notions of creativity, authenticity, and community. At the core of the book are three original audio projects, drawing from rock & roll, jazz, and traditional African music. Through these projects--and with the aid of newly imagined techniques of computer-based recording--Savage is able to target areas of contemporary practice that are particularly significant in the cultural evolution of the musical experience, from the perspective of composers, musicians, and listeners. Each audio project includes a studio study providing context for the social and cultural analysis that follows. This work stems from Savage's experience as a professional recording engineer and record producer."--Jacket.Tracking popPopular musicProduction and directionSound recordingsProduction and directionPopular musicProduction and direction.Sound recordingsProduction and direction.781.6409/0519,2ssgnLR 57790rvkSavage Steve1948-846536MiUMiUBOOK9910309960403321Bytes and backbeats1891382UNINAThis Record contains information from the Harvard Library Bibliographic Dataset, which is provided by the Harvard Library under its Bibliographic Dataset Use Terms and includes data made available by, among others the Library of Congress