00938nam0-2200289 --450 991030554170332120190724130443.020190131d2005----kmuy0itay5050 baitaspaIT 001yySpagnolismi in Sa vida, su Martiriu et Morte dessos gloriosos Martires Gavinu, Brothu, et Gianuari di Girolamo AraollaSimona CoccoSassariMagnum[2005]140 p.21 cm850.99459459.982457.9460.9Cocco,Simona618776AraollaGirolamo<sec. 16.>ITUNINAREICATUNIMARCBK9910305541703321457.9 COC 1Bibl 2019FLFBCFLFBCSpagnolismi in Sa vida, su martiriu et morte dessos gloriosos martires Gavinu, Brothu, et Gianuari di Girolamo Araolla1072735UNINA04155oam 2200565I 450 991015461830332120230808200603.01-351-95494-61-315-26140-510.4324/9781315261409 (CKB)3710000000965305(MiAaPQ)EBC4758170(OCoLC)973027849(BIP)63377176(BIP)13099179(EXLCZ)99371000000096530520180706e20162007 uy 0engurcnu||||||||rdacontentrdamediardacarrierBook and text in France, 1400-1600 poetry on the page /edited by Adrian Armstrong and Malcolm QuaintonLondon ;New York :Routledge,2016.1 online resource (236 pages) illustrations, tablesFirst published 2007 by Ashgate.0-7546-5590-3 1-351-95495-4 Includes bibliographical references and index.1. Courtly gatherings and poetic games : 'coterie' anthologies in the late Middle Ages in France / Jane H.M. Taylor -- 2. Inversions, omissions and the co-textual reorientation of reading : the Ballades of Charles d'Orleans in Verard's La chasse et le depart d'amours (1509) / Jean-Claude Muhlethaler -- 3. From stage to page : royal entry performances in honour of Mary Tudor (1514) / Cynthia J. Brown -- 4. (Re)-sonner les Matines : martial d'Auvergne's text in books of hours / Mary Beth Winn -- 5. Love on the page : materiality and literariness in Jean Bouchet's Amoureux transi and its avatars / Adrian Armstrong -- 6. Picturing Marot / Richard Cooper -- 7. An eclogue engraved : Maurice Sceve and Bernard Salomon's Saulsaye (1547) / Tom Conley -- 8. Paratextual strategy and sexual politics : Louise Labe's Oeuvres lyonnaises / Francois Rigolot -- 9. The exploitation of parentheses and lunulae in Ronsard's Hynne de Calays et de Zethes / Malcolm Quainton.In recent years, literary scholars have come increasingly to acknowledge that an adequate understanding of texts requires the study of books, the material objects through which the meanings of texts are constructed. Focusing on French poetry in the period 1400-1600, contributors to this volume analyze layout, illustration, graphology, paratext, typography, anthologization, and other such elements in works by a variety of writers, among them Charles d'Orléans, Jean Bouchet, Pierre de Ronsard and Louise Labé. They demonstrate how those elements play a crucial role in shaping the relationships between authors, texts, contexts, and readers, and how these relationships change as the nature of the book evolves. An introduction to the volume outlines the methodological implications of studying the materiality of literature in this period; situates the various papers in relation to each other and to the field as a whole; and indicates possible future directions of research in the field. By engaging with issues of major current methodological concern, this volume appeals to all scholars interested in the materiality of the literary text, including the burgeoning field of text-image studies, not only in French but also in other national literatures. In addition, it enables fruitful connections to be made between late-medieval and Renaissance literature, areas still often studied in isolation from each other.French poetryTo 1500History and criticismFrench poetry16th centuryHistory and criticismEarly printed booksFrance16th centuryIncunabulaFranceFranceImprintsFrench poetryHistory and criticism.French poetryHistory and criticism.Early printed booksIncunabula841./209Armstrong Adrian789459Quainton Malcolm927825MiAaPQMiAaPQMiAaPQBOOK9910154618303321Book and text in France, 1400-16002091187UNINA