00962nam0 2200253 450 00002214720090128112024.020090128d1958----km-y0itay50------baitaITy-------001yyRegolamento del servizio della corcolazione aereaMinistero difesa - aeronautica, ispettorato delle telecomunicazioni e A. V.edizione provvisoria[S. l.s. n.]1958128 p, 1 [c] di tav. ripiegata27 cmRegolamento del servizio della corcolazione aerea47028Navigazione aereaLegislazione629.132 5419Ministero difesa - aeronauticaIspettorato delle telecomunicazioni e A. V.632878ITUNIPARTHENOPE20090128RICAUNIMARC000022147S 629.132 54/4S A, 303DSA2009Regolamento del servizio della corcolazione aerea47028UNIPARTHENOPE03204nam 22004935 450 991030061270332120200704084406.03-319-65891-310.1007/978-3-319-65891-9(CKB)4100000007110936(MiAaPQ)EBC5588729(DE-He213)978-3-319-65891-9(EXLCZ)99410000000711093620181102d2018 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierPhilosophy of the Novel /by Barry Stocker1st ed. 2018.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2018.1 online resource (318 pages)3-319-65890-5 1. Introduction -- 2. Epic in Aristotle and Vico -- 3. Idealism and Romanticism -- 4. Kierkegaard, Irony and Subjectivity -- 5. Lukács on Subjectivity and History (Introduced through Nietzsche) -- 6. Bakhtin, Ethics and Time -- 7. Mimesis, Humanism and History -- 8. Mimetic Limits -- 9. The Absolute Novel -- 10. The Philosophical Novel -- Bibliography -- Index.This book explores the aesthetics of the novel from the perspective of Continental European philosophy, presenting a theory on the philosophical definition and importance of the novel as a literary genre. It analyses a variety of individuals whose work is reflected in both theoretical literary criticism and Continental European aesthetics, including Mikhail Bakhtin, Georg Lukács, Theodor Adorno, and Walter Benjamin. Moving through material from eighteenth century and ancient Greek philosophy and aesthetics, the book provides comprehensive coverage of the major positions on the philosophy of the novel. Distinctive features include the importance of Vico’s view of the epic to understanding the novel, the importance of Kierkegaard’s view of the novel and irony along with his other aesthetic views, the different possibilities associated with seeing the novel as ‘mimetic’ and the importance of Proust in understanding the genre in all its philosophical aspects, relating the issue of the philosophical aesthetics of the novel with the issue of philosophy written as a novel and the interaction between these two alternative positions.AestheticsLiterature—PhilosophyLiterature—History and criticismAestheticshttps://scigraph.springernature.com/ontologies/product-market-codes/E11000Literary Theoryhttps://scigraph.springernature.com/ontologies/product-market-codes/812000Literary Historyhttps://scigraph.springernature.com/ontologies/product-market-codes/813000Aesthetics.Literature—Philosophy.Literature—History and criticism.Aesthetics.Literary Theory.Literary History.801Stocker Barryauthttp://id.loc.gov/vocabulary/relators/aut932889BOOK9910300612703321Philosophy of the Novel2099706UNINA