05059oam 2201021I 450 991030059960332120211006025102.09781137506702(electronic bk.)1137506709(electronic bk.)1137506695978113750669697811375066961137506695978113750669610.1057/978-1-137-50670-2(OCoLC)1029545709(OCoLC)1029789149(OCoLC)1029852265(OCoLC)1029892535(OCoLC)1034550497(OCoLC)1050974715(OCoLC)1066626581(OCoLC)1081215003(OCoLC)1086461244(OCoLC)1112824260(OCoLC)1122811562(OCoLC)1125686351(OCoLC)1136349702(OCoLC)1160028585(OCoLC)1162747785(OCoLC)on1029545709(MiAaPQ)EBC5335416(EXLCZ)99410000000289194520180326d2018 uy 0engurcnu|unuuu||txtrdacontentcrdamediacrrdacarrierLocal invisibility, postcolonial feminisms Asian American contemporary artists in California /Laura FantoneNew York, NY, U.S.A. :Palgrave Macmillan,[2018]1 online resource (xiii, 247 pages) illustrations (chiefly color)Critical studies in gender, sexuality, and culturePrinted edition: 9781137506696 Includes bibliographical references and index.Intro; Acknowledgements; Contents; List of Figures; Chapter 1: Introduction: Visuality, Gender and Asian America; Contours of the Research; Questions of Location; Why California?; Questions of Positionality; Organization of the Chapters; References; Chapter 2: Asian American Art for the People; Introduction; To Serve the People; Conclusion; References; Chapter 3: Traces and Visions of In-Betweenness; She: Of the Interval; Visualizing a "Third Space"; Names and Memories: Traces of Loss; Nothing but Ways; References; Chapter 4: AAWAA: Visibility, Pan-Asian Identity and the Limits of Community.AAWAA's OriginsFrom Silence to Visibility, from Family to Community; Asian American Women Artists: A Space for Their Own Identity, a Community at the Margin; References; Chapter 5: Red and Gold Washing; Chinese in America; Circulation of Chinese Art in Contemporary California; The San Francisco Asian Art Museum; Chinese Art's High Visibility; Cosmopolitanism; Institutional Red and Gold Washing; Conclusions; References; Chapter 6: Opacities: Local Venues, Cosmopolitan Imaginaries; The Right to Opacity in Asian American Art; Inappropriate/d Others; References; Chapter 7: Conclusions.The Inappropriate/d OthersTime and Place of Asian American Art; References; Bibliography; Index.This book offers gendered, postcolonial insights into the poetic and artistic work of four generations of female Asian American artists in the San Francisco Bay Area. Nancy Hom, Betty Kano, Flo Oy Wong, Trinh T. Minh-ha, Theresa H.K. Cha, and Hung Liu are discussed in relation to the cultural politics of their time, and their art is examined in light of the question of what it means to be an Asian American artist. Laura Fantone's exploration of this dynamic, understudied artistic community begets a sensitive and timely reflection on the state of Asian American women in the USA and in Californian cultural institutions.--Provided by publisher.Palgrave Macmillan's critical studies in gender, sexuality, and culture.Asian American artistsCaliforniaWomen artistsCaliforniaAsian American artCalifornia21st centuryARTSubjects & ThemesGeneralbisacshAsian American artfast(OCoLC)fst00818564Asian American artistsfast(OCoLC)fst00818565Women artistsfast(OCoLC)fst01177159CaliforniafastAsian American artistsWomen artistsAsian American artARTSubjects & ThemesGeneral.Asian American art.Asian American artists.Women artists.704.03/95073Fantone Laura938214N$TN$TN$TEBLCPUABFIEOCLCFMERERAZUYDXMZAOCLCQU3WVT2SNKOCLCQWYUOCLCQLVTCNOIADOCLCQIDBBRXWTUMERUCOCLCQADULEATEOCLCQSFBOCLCQ9910300599603321Local invisibility, postcolonial feminisms2113514UNINA