03231nam 2200589 450 991030039050332120210223084051.094-017-8685-210.1007/978-94-017-8685-0(CKB)3710000000095092(DE-He213)978-94-017-8685-0(SSID)ssj0001187091(PQKBManifestationID)11644354(PQKBTitleCode)TC0001187091(PQKBWorkID)11243184(PQKB)11334220(MiAaPQ)EBC3096939(MiAaPQ)EBC6356664(Au-PeEL)EBL3096939(CaPaEBR)ebr10970615(OCoLC)876736089(PPN)177824875(EXLCZ)99371000000009509220210223d2014 uy 0engurnn|008mamaatxtrdacontentcrdamediacrrdacarrierA course in lens design /Chris Velzel1st ed. 2014.Dordrecht :Springer,[2014]©20141 online resource (XV, 334 p. 231 illus.) Springer series in optical sciences ;Volume 183Bibliographic Level Mode of Issuance: Monograph94-017-8684-4 Includes bibliographical references and index.Preface -- 1 Geometrical Optics -- 2 Optical instruments (paraxial approximation) -- 3 Aberrations -- 4 Lens design process -- 5 Design strategies -- 6 Design examples -- References -- List of exercises -- Index.A Course in Lens Design is an instruction in the design of image-forming optical systems. It teaches how a satisfactory design can be obtained in a straightforward way. Theory is limited to a minimum, and used to support the practical design work. The book introduces geometrical optics, optical instruments and aberrations. It gives a description of the process of lens design and of the strategies used in this process. Half of its content is devoted to the design of sixteen types of lenses, described in detail from beginning to end. This book is different from most other books on lens design because it stresses the importance of the initial phases of the design process: (paraxial) lay-out and (thin-lens) pre-design. The argument for this change of accent is that in these phases much information can be obtained about the properties of the lens to be designed. This information can be used in later phases of the design. This makes A Course in Lens Design a useful self-study book, and a suitable basis for an introductory course in lens design. The mathematics mainly used is college algebra, in a few sections calculus is applied. The book could be used by students of engineering and technical physics, and by engineers and scientists.Springer series in optical sciences ;Volume 183.LensesDesign and constructionLensesDesign and construction.681.423Velzel C. H. F.1064909MiAaPQMiAaPQMiAaPQBOOK9910300390503321A course in lens design2541517UNINA06041nam 22008175 450 991048502020332120251226195319.03-319-20603-610.1007/978-3-319-20603-5(CKB)3710000000436922(SSID)ssj0001558587(PQKBManifestationID)16183073(PQKBTitleCode)TC0001558587(PQKBWorkID)14819441(PQKB)11435442(DE-He213)978-3-319-20603-5(MiAaPQ)EBC6287660(MiAaPQ)EBC5591456(Au-PeEL)EBL5591456(OCoLC)911632411(PPN)186399715(EXLCZ)99371000000043692220150615d2015 u| 0engurnn#008mamaatxtccrMathematics and Computation in Music 5th International Conference, MCM 2015, London, UK, June 22-25, 2015, Proceedings /edited by Tom Collins, David Meredith, Anja Volk1st ed. 2015.Cham :Springer International Publishing :Imprint: Springer,2015.1 online resource (XIV, 392 p. 147 illus.)Lecture Notes in Artificial Intelligence,2945-9141 ;9110Includes index.3-319-20602-8 A Structural Theory of Rhythm Notation Based on Tree Representations and Term Rewriting -- Renotation from Optical Music Recognition -- Foundations for Reliable and Flexible Interactive Multimedia Scores -- Genetic Algorithms Based on the Principles of Grundgestalt and Developing Variation -- Describing Global Musical Structures by Integer Programming on Musical Patterns -- Improved Iterative Random Walk for Four-Part Harmonization -- Location Constraints for Repetition-Based Segmentation of Melodies -- Modeling Musical Structure with Parametric Grammars -- Perfect Balance: A Novel Principle for the Construction of Musical Scales and Meters -- Characteristics of Polyphonic Music Style and Markov Model of Pitch-Class Intervals -- A Corpus-Sensitive Algorithm for Automated Tonal Analysis -- Finding Optimal Triadic Transformational Spaces with Dijkstra’s Shortest Path Algorithm -- A Probabilistic Approach to Determining Bass Voice Leading in Melodic Harmonisation -- Hypergestures in Complex Time: Creative Performance Between Symbolic and Physical Reality -- Generating Fingerings for Polyphonic Piano Music with a Tabu Search Algorithm -- Logistic Modeling of Note Transitions -- Evaluating Singer Consistency and Uniqueness in Vocal Performances -- A Change-Point Approach Towards Representing Musical Dynamics -- Structural Similarity Based on Time-Span Sub-Trees -- Cross Entropy as a Measure of Musical Contrast -- Symbolic Music Similarity Using Neuronal Periodicity and Dynamic Programming -- Applications of DFT to the Theory of Twentieth-Century Harmony -- Utilizing Computer Programming to Analyze Post-Tonal Music: Contour Analysis of Four Works for Solo Flute -- A Statistical Approach to the Global Structure of John Cage’s Number Piece Five⁵ -- Exact Cover Problem in Milton Babbitt’s All-Partition Array -- Constructing Geometrical Spaces from Acoustical Representations -- Geometry, Iterated Quantization and Filtered Voice-Leading Spaces -- Using Fundamental Groups and Groupoids of ChordSpaces to Model Voice Leading -- All-Interval Structures -- Unifying Tone System Definitions: Ordering Chromas -- A Categorical Generalization of Klumpenhouwer Networks -- The Spinnen-Tonnetz: New Musical Dimensions in the 2D Network for Tonal Music Analysis: Using Polarization and Tonal Regions in a Dynamic Environment -- Probabilistic Segmentation of Musical Sequences Using Restricted Boltzmann Machines -- ¿El Caballo Viejo? Latin Genre Recognition with Deep Learning and Spectral Periodicity -- Can a Musical Scale Have 14 Generators? -- On the Step-Patterns of Generated Scales That are Not Well-Formed -- Triads as Modes within Scales as Modes -- Greek Ethnic Modal Names vs. Alia Musica’s Nomenclature.This book constitutes the thoroughly refereed proceedings of the 5th International Conference on Mathematics and Computation in Music, MCM 2015, held in London, UK, in June 2015. The 24 full papers and 14 short papers presented were carefully reviewed and selected from 64 submissions. The papers feature research that combines mathematics or computation with music theory, music analysis, composition, and performance. They are organized in topical sections on notation and representation, music generation, patterns, performance, similarity and contrast, post-tonal music analysis, geometric approaches, deep learning, and scales.Lecture Notes in Artificial Intelligence,2945-9141 ;9110Digital humanitiesMusicAlgebraComputer scienceMathematicsDiscrete mathematicsArtificial intelligenceData processingDigital HumanitiesMusicAlgebraDiscrete Mathematics in Computer ScienceData ScienceDigital humanities.Music.Algebra.Computer scienceMathematics.Discrete mathematics.Artificial intelligenceData processing.Digital Humanities.Music.Algebra.Discrete Mathematics in Computer Science.Data Science.780.0519Collins Tomedthttp://id.loc.gov/vocabulary/relators/edtMeredith Davidedthttp://id.loc.gov/vocabulary/relators/edtVolk Anjaedthttp://id.loc.gov/vocabulary/relators/edtMiAaPQMiAaPQMiAaPQBOOK9910485020203321Mathematics and Computation in Music2512995UNINA