01122oam 2200313z- 450 991013609700332120090902085014.00-7369-3378-6(CKB)3710000000915132(EXLCZ)99371000000091513220210505c2009uuuu -u- -eng"I'm not good enough"-- and other lies women tell themselves /Sharon JaynesHarvest House Publishers0-7369-1870-1 WomenReligious aspectsChristianitySelf-perceptionReligious aspectsChristianitySelf-esteemReligious aspectsChristianityChristian womenReligious lifeWomenReligious aspectsChristianity.Self-perceptionReligious aspectsChristianity.Self-esteemReligious aspectsChristianity.Christian womenReligious life.248.8/43Jaynes Sharon1236019BOOK9910136097003321"I'm not good enough"-- and other lies women tell themselves2870384UNINA02958nam 22005535 450 991030003500332120220114235411.09783319957326331995732510.1007/978-3-319-95732-6(CKB)4100000006674801(MiAaPQ)EBC5521410(DE-He213)978-3-319-95732-6(Perlego)3493411(EXLCZ)99410000000667480120180922d2018 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierGender Inequality in Screenwriting Work /by Natalie Wreyford1st ed. 2018.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2018.1 online resource (222 pages)9783319957319 3319957317 1. Introduction: The extent of gender inequality in film screenwriting work -- 2. Gendering the screenwriter -- 3. Gender, capital and getting in -- 4. The gendered dynamics of the recruitment of screenwriters -- 5. The impact of motherhood on screenwriters -- 6. Being outnumbered -- 7. Gendering taste -- 8. Conclusions: Moving beyond numbers to make change happen.This is the first book to critically examine the recruitment and working practices of screenwriters. Drawing on interviews with screenwriters and those that employ them, Natalie Wreyford provides a deep and detailed understanding of entrenched gender inequality in the UK film industry and answers the question: what is preventing women from working as screenwriters? She considers how socialised recruitment and gendered taste result in exclusion, and uncovers subtle forms of sexism that cause women's stories and voices to be discounted.Gender Inequality in Screenwriting Work also reveals the hidden labour market of the UK film industry, built on personal connections, homophily and the myth of meritocracy. It is essential reading for students and scholars of gender, creative industries, film and cultural studies, as well as anyone who wants to understand why women remain excluded from many key roles in filmmaking.Motion picture authorshipSexMotion picture industryTelevision broadcastingScreenwritingGender StudiesFilm and Television IndustryMotion picture authorship.Sex.Motion picture industry.Television broadcasting.Screenwriting.Gender Studies.Film and Television Industry.808.23Wreyford Natalieauthttp://id.loc.gov/vocabulary/relators/aut974998BOOK9910300035003321Gender Inequality in Screenwriting Work2220101UNINA