02626nam 22005175 450 991030003310332120230810194406.03-319-91518-510.1007/978-3-319-91518-0(CKB)4100000005249101(DE-He213)978-3-319-91518-0(MiAaPQ)EBC5455728(EXLCZ)99410000000524910120180716d2018 u| 0engurnn|008mamaatxtrdacontentcrdamediacrrdacarrierBeckett's Intuitive Spectator Me to Play /by Michelle Chiang1st ed. 2018.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2018.1 online resource (VIII, 196 p.) New Interpretations of Beckett in the Twenty-First Century,2945-68003-319-91517-7 1. Introduction -- 2. The Intuition of Loss in Beckett’s Radio Plays -- 3. Film and the Ecstatic Spectator -- 4. Time out from the World: Respite in Beckett’s Stage plays -- 5. The Disengaging Beckettian Television Audience and the Monument to Loss -- 6. Conclusion.Beckett’s Intuitive Spectator: Me to Play investigates how audience discomfort, instead of a side effect of a Beckett pedagogy, is a key spectatorial experience which arises from an everyman intuition of loss. With reference to selected works by Henri Bergson, Immanuel Kant and Gilles Deleuze, this book charts the processes of how an audience member’s habitual way of understanding could be frustrated by Beckett’s film, radio, stage and television plays. Michelle Chiang explores the ways in which Beckett exploited these mediums to reconstitute an audience response derived from intuition. .New Interpretations of Beckett in the Twenty-First Century,2945-6800European literatureLiterature, Modern20th centuryTheaterHistoryEuropean LiteratureTwentieth-Century LiteratureContemporary Theatre and PerformanceEuropean literature.Literature, Modern20th century.TheaterHistory.European Literature.Twentieth-Century Literature.Contemporary Theatre and Performance.809.41Chiang Michelleauthttp://id.loc.gov/vocabulary/relators/aut855641BOOK9910300033103321Beckett's Intuitive Spectator1910328UNINA