01188nam0-2200325 --450 991047505920332120210608124822.088-7062-967-820210608d1997----kmuy0itay5050 baitaITa 001yy<<I >>diari di scavo di Pompei, Ercolano e Stabia di Francesco e Pietro La Vega (1764-1810)raccolta e studio di documenti ineditiMario PaganoRomaL' Erma di Bretschneider1997190 p., [6] c. di tav.ill.26 cmMonografie13Segue: AppendiceIn testa al front.: Ministero per i beni culturali e ambientali. Soprintendenza archeologica di PompeiArcheologiaItalia meridionale937.723itaPagano,Mario<1958- >296767La Vega,FrancescoLa Vega,PietroITUNINAREICATUNIMARCBK991047505920332160 937.7 PAGM 1997284/2021FAGBCFAGBCDiari di scavo di Pompei, Ercolano e Stabia di Francesco e Pietro La Vega (1764-1810)1405383UNINA03061nam 22005535 450 991030002550332120230810194429.09783319920191331992019710.1007/978-3-319-92019-1(CKB)4100000004243997(MiAaPQ)EBC5407230(DE-He213)978-3-319-92019-1(Perlego)3494888(EXLCZ)99410000000424399720180531d2018 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierChoreography and Verbatim Theatre Dancing Words /by Jess McCormack1st ed. 2018.Cham :Springer International Publishing :Imprint: Palgrave Pivot,2018.1 online resource (147 pages)9783319920184 3319920189 1 -- Choreography as a Translation Process -- 2. Dancing Other People's Words: Verbatim Dance-Theatre -- 3. DV8 Physical Theatre's Verbatim Dance-Theatre: How might choreography be developed in verbatim performance? -- 4. Making Verbatim Dance-Theatre -- 5. Choreographed Dialogue.How might spoken words be translated into choreography? This book addresses the field of verbatim dance-theatre, around which there is currently limited existing scholarly writing. Grounded in extensive research, the project combines dance studies and performance studies theory, detailed analysis of professional choreographic work and examples of experimental practice to then employ the framework of translation studies in order to consider what a focus on movement and an attempt to dance/move other people's words can offer to the field of verbatim theatre. It investigates ways to understand, articulate and engage in the process of choreographing movement as a response to verbatim spoken language. It is directed at an international audience of dance studies scholars, theatre and performance studies scholars and dance-theatre practitioners, and it would be appropriate reading material for undergraduate students seeking to develop their understanding of choreographic processes that use written/spoken text as a starting point and graduate students working in the area of adaptation, verbatim theatre, physical theatre or devised theatre.DancePerforming artsTheaterTheaterHistoryDanceTheatre and Performance ArtsContemporary Theatre and PerformanceDance.Performing arts.Theater.TheaterHistory.Dance.Theatre and Performance Arts.Contemporary Theatre and Performance.792.8072McCormack Jessauthttp://id.loc.gov/vocabulary/relators/aut988777BOOK9910300025503321Choreography and Verbatim Theatre2260875UNINA