01536nam2 2200373 i 450 URB011392520231121125914.08839205411IT2001-3010 20001117d2000 ||||0itac50 baitaitz01i xxxe z01n˜3: œAululariaSarsina, 11 settembre 1999a cura di Renato Raffaelli e Alba TontiniUrbinoQuattro venti2000145 p.22 cmLudus philologiae. Lecturae Plautinae Sarsinates3In testa al front.: CISP, Urbino; Plautus, Sarsina-Urbino.001CFI04471082001 Ludus philologiae. Lecturae Plautinae Sarsinates3001MIL04179022001 Lecturae Plautinae Sarsinates3Plauto, Tito Maccio . AululariaFIRRMLC155639ERaffaelli, RenatoCFIV043451Tontini, AlbaMILV222270ITIT-0120001117IT-RM0313 IT-RM0418 IT-FR0017 BIBLIOTECA CASANATENSERM0313 BIBLIOTECA ACCADEMIA NAZ. DEI LINCEI E CORSINIANARM0418 Biblioteca umanistica Giorgio ApreaFR0017 NURB0113925Biblioteca umanistica Giorgio Aprea 52S.SIJ. LL3 Plau.Raf.3 52SBA0000157905 VMN RS A 2014030620140306 07 10 52Aulularia58703UNICAS03604nam 22005775 450 991030000380332120240701115138.09783319716701331971670010.1007/978-3-319-71670-1(CKB)4100000002892144(MiAaPQ)EBC5358003(DE-He213)978-3-319-71670-1(Perlego)3482444(EXLCZ)99410000000289214420180307d2018 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierIndependent Television Production in the UK From Cottage Industry to Big Business /by David Lee1st ed. 2018.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2018.1 online resource (ix, 244 pages)9783319716695 3319716697 1. Chapter 1: Introduction: Situating Independent Television in the cultural economy -- 2. Part I: Independent transformations. The politics of independence: Contextualising independent television production in the UK - Chapter 2. The creation of the independent sector in the UK -- 3. Chapter 3. Creative Industries policy and the rise of the 'mega-indies'; Independent television production in the age of New Labour -- 4. Part II: Working in independent television - Chapter 4: Creative labour and social change -- 5. Chapter 5 Working in the Indies: Precarity, value and burnout -- 6. Chapter 6 Networks, social capital and the burden of performativity -- 7. Part III: Cultural Value - Chapter 7 Independent Creativity -- 8. Chapter 8: Commercialisation, consolidation and cultural value: The restructuring of the British independent television industry, and the implications for production -- 9. Chapter 9. Conclusion: towards a moral economy of independent television production. .This book is the first authoritative account of the UK's independent television production sector, following the creation of Channel 4 in 1982. It examines the rise of a global industry, increasingly interconnected through format development, distribution, ancillary sales and rights. Drawing on case studies, interviews and policy analysis; the author considers the cultural politics behind the growth of the 'indies', the labour conditions for workers in this sector, and some of the key television programmes that have been created within it. Filling an important gap in our understanding, this book constitutes a comprehensive account of this vital cultural industry for students, academics and researchers working in the areas of the cultural and creative industries, media and cultural policy and television studies.Motion picture industryTelevision broadcastingEthnologyGreat BritainCultureCultural policyFilm and Television IndustryBritish CultureCultural Policy and PoliticsMotion picture industry.Television broadcasting.EthnologyCulture.Cultural policy.Film and Television Industry.British Culture.Cultural Policy and Politics.384.550941Lee Davidauthttp://id.loc.gov/vocabulary/relators/aut481691BOOK9910300003803321Independent Television Production in the UK2150043UNINA