04096nam 22005655 450 991030000030332120200629195804.03-319-57949-510.1007/978-3-319-57949-8(CKB)4100000003359160(MiAaPQ)EBC5342024(DE-He213)978-3-319-57949-8(EXLCZ)99410000000335916020180406d2018 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierExploring the Selfie Historical, Theoretical, and Analytical Approaches to Digital Self-Photography /edited by Julia Eckel, Jens Ruchatz, Sabine Wirth1st ed. 2018.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2018.1 online resource (xxi, 392 pages) illustrations3-319-57948-7 1.The Selfie as Image (and) Practice – Approaching Digital Self-Photography -- 2. The Consecration of the Selfie. A Cultural History -- 3. Selfie-Reflexivity. Pictures of People Taking Photographs -- 4. Locating the ‘Selfie’ Within Photography’s History – and Beyond -- 5. The Selfie as Feedback: Video, Narcissism, and the Closed-Circuit Video Installation -- 6. The Selfie and the Face -- 7. Selfies & Authorship – On the Displayed Authorship and the Author Function of the Selfie -- 8. Competitive Photography and the Presentation of the Self -- 9. Of Duckfaces and Cat-beards: Why Do Selfies Need Genres? -- 10. Interfacing the Self – Smartphone Snaps and the Temporality of the Selfie -- 11.The Video Selfie as Act and Artefact of Recording -- 12. Be a Hero – Self-Shoots at the Edge of the Abyss -- 13. Strike a Pose: Robot Selfies -- 14. Selfies and Purikura as Affective, Aesthetic Labour -- 15.The Kid Selfie as Self-Inscription: Re-Inventing an Emerging Media Practice -- 16.“Machos” and “Top Girls”: Photographic Self-Images of Berlin Hauptschüler.-.This volume explores the selfie not only as a specific photographic practice that is deeply rooted in digital culture, but also how it is understood in relation to other media of self-portrayal. Unlike the public debate about the dangers of 'selfie-narcissism', this anthology discusses what the practice of taking and sharing selfies can tell us about media culture today: can the selfie be critiqued as an image or rather as a social practice? What are the technological conditions of this form of vernacular photography? By gathering articles from the fields of media studies; art history; cultural studies; visual studies; philosophy; sociology and ethnography, this book provides a media archaeological perspective that highlights the relevance of the selfie as a stereotypical as well as creative practice of dealing with ourselves in relation to technology.CommunicationSocial mediaPhotographyCulture—Study and teachingMedia and Communicationhttps://scigraph.springernature.com/ontologies/product-market-codes/412010Social Mediahttps://scigraph.springernature.com/ontologies/product-market-codes/412020Photographyhttps://scigraph.springernature.com/ontologies/product-market-codes/418000Cultural Theoryhttps://scigraph.springernature.com/ontologies/product-market-codes/411130Communication.Social media.Photography.Culture—Study and teaching.Media and Communication.Social Media.Photography.Cultural Theory.757Eckel Juliaedthttp://id.loc.gov/vocabulary/relators/edtRuchatz Jensedthttp://id.loc.gov/vocabulary/relators/edtWirth Sabineedthttp://id.loc.gov/vocabulary/relators/edtBOOK9910300000303321Exploring the Selfie2188555UNINA