04182nam 22007455 450 991029923840332120200629233530.094-017-9561-410.1007/978-94-017-9561-6(CKB)3710000000332489(EBL)1966688(OCoLC)900158053(SSID)ssj0001424556(PQKBManifestationID)11891913(PQKBTitleCode)TC0001424556(PQKBWorkID)11363954(PQKB)11670724(DE-He213)978-94-017-9561-6(MiAaPQ)EBC1966688(PPN)183517245(EXLCZ)99371000000033248920150111d2015 u| 0engur|n|---|||||txtccrPatterns of Intuition Musical Creativity in the Light of Algorithmic Composition /edited by Gerhard Nierhaus1st ed. 2015.Dordrecht :Springer Netherlands :Imprint: Springer,2015.1 online resource (416 p.)Description based upon print version of record.94-017-9560-6 Includes bibliographical references at the end of each chapters.Outline of the compositional structure(s) to be investigated -- The algorithms/procedures used -- Findings -- Improvisation in Trees -- Electronic Music for an Acoustic Piano -- Forbidden Melodies -- The Semantics of a String Quartet -- Comments from renowned scientists from related research areas of Algorithmic Composition, Musicology, Artistic Research, Creativity.The present book is the result of a three year research project which investigated the creative act of composing by means of algorithmic composition. Central to the investigation are the compositional strategies of 12 composers, which were documented through a dialogic and cyclic process of modelling and evaluating musical materials. The aesthetic premises and compositional approaches configure a rich spectrum of diverse positions, which is reflected also in the kinds of approaches and methods used. These approaches and methods include the generation and evaluation of chord sequences using genetic algorithms, the application of morphing strategies to research harmonic transformations, an automatic classification of personal preferences via machine learning, and an application of mathematical music theory to the analysis and resynthesis of musical material. The second part of the book features contributions by Sandeep Bhagwati, William Brooks, David Cope, Darla Crispin, Nicolas Donin, and Guerino Mazzola. These authors variously consider the project from different perspectives, offer independent approaches, or provide more general reflections from their respective research fields.Artificial intelligencePhysicsSystem theoryMusicComputational complexityArtificial Intelligencehttps://scigraph.springernature.com/ontologies/product-market-codes/I21000Applications of Graph Theory and Complex Networkshttps://scigraph.springernature.com/ontologies/product-market-codes/P33010Complex Systemshttps://scigraph.springernature.com/ontologies/product-market-codes/M13090Musichttps://scigraph.springernature.com/ontologies/product-market-codes/417000Complexityhttps://scigraph.springernature.com/ontologies/product-market-codes/T11022Artificial intelligence.Physics.System theory.Music.Computational complexity.Artificial Intelligence.Applications of Graph Theory and Complex Networks.Complex Systems.Music.Complexity.004006.3519620Nierhaus Gerhardedthttp://id.loc.gov/vocabulary/relators/edtBOOK9910299238403321Patterns of Intuition2510156UNINA