03087 am 2200589 n 450 9910286412203321201708232-35723-104-110.4000/books.enc.178(CKB)4100000006675288(FrMaCLE)OB-enc-178(oapen)https://directory.doabooks.org/handle/20.500.12854/56177(PPN)230683622(EXLCZ)99410000000667528820180926j|||||||| ||| 0freuu||||||m||||txtrdacontentcrdamediacrrdacarrierPhilosophie et esthétique dans le Don Quichotte de Cervantès /Dominique de CourcellesParis Publications de l’École nationale des chartes20171 online resource (102 p.) 2-900791-94-4 L’acculturation philosophique par la traduction des textes d’origine grecque et latine ou arabe accompagne la découverte philologique, la découverte de la langue de l’autre et de la langue de soi, l’élaboration esthétique. Les mots, les motifs et les rythmes sont traduits et métamorphosés. Elaborée dans l’Espagne de la première modernité, l’œuvre majeure de Cervantès, entre plasticité et conceptualité, propose aux lecteurs une belle évidence - evidentia, selon la définition de Quintilien, cet effet poétique de présence associé à la perspicuitas, transparence du texte aisément intelligible, où le signifiant - le mot - s’efface devant le signifié - la chose. Ainsi se déploie une rhétorique de la vision verbale, de l’image verbale ou de la parole imagée, bien propre à susciter à son tour la réflexion, l’émotion, l’interprétation des lecteurs, où se joignent les croyances et les gestes, la foi et les extases, l’angoisse et le plaisir, le mouvement de la pensée. Le livre de Don Quijote, que son auteur affirme avoir traduit en castillan à partir d’un original arabe, permet de façon exemplaire de mesurer comment l’expérience philosophique croise l’expérience esthétique dans la pratique de la langue vernaculaire et les jeux du langage.PhilosophyLiterature (General)esthétiquephilosophielittératureimaginationesthétiquephilosophielittératureimaginationPhilosophyLiterature (General)esthétiquephilosophielittératureimaginationCirlot Victoria224362Courcelles Dominique de175265Fanlo Jean-Raymond1249640Roubaud Sylvia197221Vauthier Bénédicte777753Courcelles Dominique de175265FR-FrMaCLEBOOK9910286412203321Philosophie et esthétique dans le Don Quichotte de Cervantès3024775UNINA05742nam 2200937 a 450 991078440910332120210506225518.01-281-75260-61-4294-7821-797866117526060-520-94166-71-4337-0837-X10.1525/9780520941663(CKB)1000000000354390(EBL)293835(OCoLC)476055677(SSID)ssj0000103716(PQKBManifestationID)11639322(PQKBTitleCode)TC0000103716(PQKBWorkID)10071475(PQKB)11135280(MiAaPQ)EBC293835(DE-B1597)519751(DE-B1597)9780520941663(Au-PeEL)EBL293835(CaPaEBR)ebr10172699(CaONFJC)MIL175260(dli)HEB08168(MiU)MIU01000000000000009642534(EXLCZ)99100000000035439020060802d2007 uy 0engur||#||||||||txtccrThe animated man[electronic resource] a life of Walt Disney /Michael BarrierBerkeley University of California Pressc20071 online resource (431 p.)Description based upon print version of record.0-520-24117-7 Includes bibliographical references (p. 327-377) and index.Introduction : "It's all me" -- "The pet in the family" : on the farm and in the city, 1901-1923 -- "A cute idea" : the self-taught filmmaker, 1923-1928 -- "You've got to really be Minnie" : building a better mouse, 1928-1933 -- "This character was a live person" : the leap to feature films, 1934-1938 -- "A drawing factory" : ambition's price, 1938-1941 -- "A queer, quick, delightful gink" : on a treadmill, 1941-1947 -- "Caprices and spurts of childishness" : escaping from animation, 1947-1953 -- "He was interested in something else" : escaping from film, 1953-1959 -- "This is where I am happy" : restless in the Magic Kingdom, 1959-1965 -- "He drove himself right up to the end" : dreaming of a nightmare city, 1965-1966 -- Afterword : "Let's never not be a silly company".Walt Disney (1901-1966) was one of the most significant creative forces of the twentieth century, a man who made a lasting impact on the art of the animated film, the history of American business, and the evolution of twentieth-century American culture. He was both a creative visionary and a dynamic entrepreneur, roles whose demands he often could not reconcile. In his compelling new biography, noted animation historian Michael Barrier avoids the well-traveled paths of previous biographers, who have tended to portray a blemish-free Disney or to indulge in lurid speculation. Instead, he takes the full measure of the man in his many aspects. A consummate storyteller, Barrier describes how Disney transformed himself from Midwestern farm boy to scrambling young businessman to pioneering artist and, finally, to entrepreneur on a grand scale. Barrier describes in absorbing detail how Disney synchronized sound with animation in Steamboat Willie; created in Snow White and the Seven Dwarfs sympathetic cartoon characters whose appeal rivaled that of the best live-action performers; grasped television's true potential as an unparalleled promotional device; and-not least-parlayed a backyard railroad into the Disneyland juggernaut. Based on decades of painstaking research in the Disney studio's archives and dozens of public and private archives in the United States and Europe, The Animated Man offers freshly documented and illuminating accounts of Disney's childhood and young adulthood in rural Missouri and Kansas City. It sheds new light on such crucial episodes in Disney's life as the devastating 1941 strike at his studio, when his ambitions as artist and entrepreneur first came into serious conflict.Beginning in 1969, two and a half years after Disney's death, Barrier recorded long interviews with more than 150 people who worked alongside Disney, some as early as 1922. Now almost all deceased, only a few were ever interviewed for other books. Barrier juxtaposes Disney's own recollections against the memories of those other players to great effect. What emerges is a portrait of Walt Disney as a flawed but fascinating artist, one whose imaginative leaps allowed him to vault ahead of the competition and produce work that even today commands the attention of audiences worldwide.AnimatorsUnited StatesBiography20th century american animation.20th century american culture.20th century american history.american business.american culture.animated films.biography.cartoon characters.cartoons.disney animation.disney company.disney studios.disney.disneyland.entrepreneur.mickey mouse.midwest.promotional.rural missouri.snow white.snow with and the seven dwarfs.steamboat willie.television.walt disney world.walt disney.Animators791.43092BBarrier J. Michael1502322MiAaPQMiAaPQMiAaPQBOOK9910784409103321The animated man3762051UNINA