01928nam 22004453a 450 991028353670332120211214195617.0(CKB)4100000005959411(ScCtBLL)3f67c853-953a-4aa5-bdc7-4534ab144228(oapen)https://directory.doabooks.org/handle/20.500.12854/38653(Perlego)2328616(oapen)doab38653(EXLCZ)99410000000595941120211214i20182019 uu enguru||||||||||txtrdacontentcrdamediacrrdacarrierSimone Verovio : Music printing, intabulations and basso continuo in Rome around 1600 /Markus Grassl, Augusta Campagne, Reinhard KappBöhlau2018[s.l.] :Böhlau,2018.1 online resource (401 p.)9783205207184 3205207181 Simone Verovio was the first printer to produce a substantial number of musical prints using engraved copper plates. This intaglio printing technique not only allowed him to print on demand, but also to combine different kinds of notation on one page opening: voice parts with corresponding harpsichord and lute intabulations. This detailed comparison of intaglio and relief printing techniques in the editions associated with Verovio sheds light on the production of sheet music around 1600 and the comparison of the vocal and instrumental parts provides ground-breaking insights into historical performance practice.MusicbisacshMusicMusicMusic.Campagne Augustaauth1776489Grassl MarkusCampagne AugustaKapp ReinhardScCtBLLScCtBLLBOOK9910283536703321Simone Verovio4294483UNINA