03193 am 22004573u 450 991027973260332120221225044325.094-6270-140-710.26530/OAPEN_1000227(CKB)4100000005044159(OAPEN)1000227(OCoLC)1253407625(MdBmJHUP)musev2_109372(EXLCZ)99410000000504415920200126d|||| uy enguuuuu---auuuutxtrdacontentcrdamediacrrdacarrierVirtual works – actual things essays in music ontology /edited by Paulo de AssisLeuven, Belgium :Leuven University Press,[2018].©20181 online resource (188 pages) PDF, digital file(s)Orpheus Institute seriesPrint version: 9789462701403 Includes bibliographical references and index.IntroductionPaulo de Assis --Virtual works -- actual thingsPaulo de Assis --Locating the performable musical work in practice: a non-platonist interpretation of the "classical paradigm" /David Davies --Towards a general theory of musical works and musical listening /Gunnar Hindrichs --The work of the performer /John Rink --Music as play: a dialogue /Andreas Dorschel --What anyway is a "music discomposed"? reading Cavell through the dark glasses of Adorno /Lydia Goehr --Response 1, What Is a music dis-discomposed? /Kathy Kiloh --Response 2, Krenek, Cage, and Stockhausen in Cavell's "Music discomposed" /Jake McNulty --Response 3, Stanley Cavell's "Music discomposed" at 52 /Paulo de Assis.What are musical works? How are they constructed in our minds? Which material things allow us to speak about them in the first place? Does a specific way of conceiving musical works limit their performative potentials? Which alternative, more productive images of musical work can be devised? 'Virtual Works -- Actual Things' addresses contemporary music ontological discourses, challenging dominant musicological accounts, questioning their authoritative foundation and moving towards dynamic perspectives devised by music practitioners and artist researchers. Specific attention is given to the relationship between the virtual multiplicities that enable the construction of an image of a musical work and the actual, concrete materials that make such a construction possible. With contributions by prominent scholars, this book is a wide-ranging and fascinating collection of essays, which will be of great interest for artistic research, contemporary musicology, music philosophy, performance studies and music pedagogy alike.Orpheus Institute series.MusicPhilosophy and aestheticsTheory of music & musicologybicsscMusicPhilosophy and aesthetics.Theory of music & musicology780.1de Assis PauloUkMaJRUBOOK9910279732603321Virtual works – actual things2292980UNINA