01114nam0-2200373---450 99000588567040332120230103092402.03-499-55600-6000588567FED01000588567(Aleph)000588567FED0100058856720000421d1999----km-y0itay50------bagerDEf---f---001yyAntike Mythologieein Handbuchder Mythos und seine Überlieferung in Literatur und bildener KunstHans-K. und Susanne LückeHamburgRowohlt1999767 p.[8] fogli di tavole19 cmRowohlts enzyklopädieMitologia classicaTemiArte e mitologiaArte e letteratura700.322ita704.94722itaLücke,Hans-K.403252Lücke,SusanneITUNINARICAUNIMARCBK990005885670403321704.94 LUCH 01Dip.f.m.10310FLFBCFLFBCAntike Mythologie563335UNINA02068 am 2200409 n 450 9910275031903321201707292-7574-1879-310.4000/books.septentrion.14277(CKB)4100000003667279(FrMaCLE)OB-septentrion-14277(oapen)https://directory.doabooks.org/handle/20.500.12854/43339(PPN)225783959(EXLCZ)99410000000366727920180329j|||||||| ||| 0freuu||||||m||||txtrdacontentcrdamediacrrdacarrierClaude Simon chronophotographe ou les onomatopées du temps /Aymeric GlacetVilleneuve d'Ascq Presses universitaires du Septentrion20171 online resource (240 p.) 2-85939-974-7 Belle invention que la chronophotographie, que cette production photographique d'images prises à des intervalles de temps exactement mesurés, et qui permet, à partir d'un unique cliché, l'analyse du mouvement par photographies successives. Et invention bien faite pour fasciner Claude Simon qui aura en somme trouvé dans la chronophotographie, c'est du moins ce que ce livre aimerait montrer, la technique indispensable à son écriture, au développement de son œuvre comme à l'organisation singulière de ses thèmes. Une technique dont les effets, par delà les limites concrètes du texte, affecte le projet romanesque en son principe, touchant à des questions aussi diverses que celles de l'origine, de l'autobiographie et de la représentation du monde.Time in literatureLiterature and photographyFrench literatureNovelist20th centuryCriticismTime in literature.Literature and photography.809Glacet Aymeric1239618FR-FrMaCLEBOOK9910275031903321Claude Simon chronophotographe3036941UNINA01975nam 2200349z- 450 991040413220332120210211(CKB)4100000011301997(oapen)https://directory.doabooks.org/handle/20.500.12854/41370(oapen)doab41370(EXLCZ)99410000001130199720202102d2017 |y 0engurmn|---annantxtrdacontentcrdamediacrrdacarrierArtistry in Bronze: The Greeks and Their Legacy XIXth International Congress on Ancient BronzesGetty Publications20171 online resource (409 p.)1-60606-542-4 The papers in this volume derive from the proceedings of the nineteenth International Bronze Congress, held at the Getty Center and Villa in October 2015 in connection with the exhibition Power and Pathos: Bronze Sculpture of the Hellenistic World. The study of large-scale ancient bronzes has long focused on aspects of technology and production. Analytical work of materials, processes, and techniques has significantly enriched our understanding of the medium. Most recently, the restoration history of bronzes has established itself as a distinct area of investigation. How does this scholarship bear on the understanding of bronzes within the wider history of ancient art? How do these technical data relate to our ideas of styles and development? How has the material itself affected ancient and modern perceptions of form, value, and status of works of art?History of art / art & design stylesbicsscHistory of the artsHistory of art / art & design stylesLapatin Kenneth D. Sauth1421873Spinelli Ambra1982-authDaehner Jens MauthBOOK9910404132203321Artistry in Bronze3544406UNINA