02110nam 22004455 450 991027235220332120210405133802.01-5017-2001-510.7591/9781501720017(CKB)4340000000258226(MiAaPQ)EBC5317533(DE-B1597)496379(OCoLC)1028955395(DE-B1597)9781501720017(EXLCZ)99434000000025822620180924d2018 fg engurcnu||||||||rdacontentrdamediardacarrierMadame Bovary on Trial /Dominick LaCapraIthaca, NY :Cornell University Press,[2018]©19861 online resource (219 pages)Includes index.1-5017-2798-2 0-8014-9361-7 Frontmatter --Contents --Preface --1 A Problem in Reading --2 The Trial --3 From Trial to Text --4. Flaubert's Projects: Pure Art and Carnivalization --5. Dual Style --6. Narrative Practice and Free Indirect Style --7. Selected Passages --8. Aspects of the Novel --9. Conclusion --IndexIn 1857, following the publication of Madame Bovary, Flaubert was charged with having committed an "outrage to public morality and religion." Dominick LaCapra, an intellectual historian with wide-ranging literary interests, here examines this remarkable trial. LaCapra draws on material from Flaubert's correspondence, the work of literary critics, and Jean-Paul Sartre's analysis of Flaubert. LaCapra maintains that Madame Bovary is at the intersection of the traditional and the modern novel, simultaneously invoking conventional expectations and subverting them.LITERARY CRITICISM / European / FrenchbisacshLITERARY CRITICISM / European / French.843/.8LaCapra Dominick122081DE-B1597DE-B1597BOOK9910272352203321Madame Bovary on Trial2719489UNINA