00862nam0 2200301 450 991026545070332120180911101122.0978-88-15-26740-520180427d2017----km y0itay50 baitaIT 001yy<<Il >>secolo dei tradimentida Mata Hari a Snowden1914-2014Marcello FloresBolognail Mulino2017323 p.22 cmBiblioteca storicaAlto tradimento1914-2014364.13122itaFlores,Marcello<1945- >139835ITUNINAREICATUNIMARCBK9910265450703321364.131 FLO 14363BFSXIV B 2676521/2018FSPBCFSPBCBFSSecolo dei tradimenti1476251UNINA04577nam 2200481 450 991079394710332120230126221508.00-299-32243-2(CKB)4100000010077792(MiAaPQ)EBC6021226(OCoLC)1127567752(EXLCZ)99410000001007779220200306d2020 uy 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierFutures of dance studies /edited by Susan Manning, Janice Ross, and Rebecca SchneiderMadison, Wisconsin :The University of Wisconsin Press,[2020]©20201 online resource (xiv, 571 pages) illustrationsStudies in dance history0-299-32240-8 Kinesthetic Seeing: A Model for Practice-in-Research / Hannah Kosstrin -- King David in the Medieval Archives: Toward an Archaic Future for Dance / Kathryn Dickason -- Dancing Dahomey at the World's Fair: Revising the Archive of African Dance / Joanna Dee Das -- Critical Memory: Arthur Mitchell, Dance Theatre of Harlem, and the Rise of the Invisible Dancers / Gillian Lipton -- Breathing Matters: Breath as Dance Knowledge / Laura Karreman -- Lesbian Echoes in Activism and Writing: Jill Johnston's Interventions / Clare Croft -- Accent, Choreomusicality, and Identity in Rodeo and 'Rode,o / Daniel Callahan -- Flesh Dance: Black Women from Behind / Jasmine Johnson -- Winin' through the Violence: Performing Carib[being]ness at the Brooklyn Carnival / Adanna Kai Jones -- Second Line Choreographies in and beyond New Orleans / Rachel Carrico -- The Dance in the Museum: Grant Hyde Code and the Brooklyn Museum Dance Center / Amanda Jane Graham -- Dancing the Image: Virgilio Sieni's Choreographic Tableaux / Giulia Vittori -- Urban Choreographies: The Politics of Moving Along in Battery Opera's Lives Were Around Me / Alana Gerecke -- Convening Muses and Turning Tables: Reimagining a Danced Politics of Time in Jordan Bennett and Marc Lescarbot / VK Preston -- Les Ballets Jazz and White Mythologies of Blackness in Quebec / Melissa Templeton -- Cuban Modern Dance after Censorship, 1971-74: A Colorful Gray / Elizabeth Schwall -- Tango and Memory on the Contemporary Dance Stage / Victoria Fortuna -- Breaking Point? Flexibility, Pain, and the Calculus of Risk in Neoliberal Multiculturalism / Anusha Kedhar -- Who Makes a Dance? Studying Infrastructure through a Dance Lens / Sarah Wilbur -- The Choreographic Commodity: Assigning and Policing Value for Nite Moves and William Forsythe / Lizzie Leopold -- Walking Backwards: Choreographing the Greek Crisis / Natalie Zervou -- Dance of the Undead: The Wilis' Imperial Legacy / Rebecca Chaleff -- Disavowing Virtuosity, Performing Aspiration: Yve Laris Cohen, Narcissister, and John Jasperse's Choreographies of Anticlimax / Ariel Osterweis -- Do Iranian Dancers Need Saving? Savior Spectatorship and the Production of Iranian Dancing Bodies as "Objects of Rescue" / Heather Rastovac-Akbarzadeh -- Costuming Brownness in British South Asian Dance / Royona Mitra -- Intimating Race: Tao Ye's 4 and Methods for World Dance / Hentlye Yapp -- Locating Performance: Choe Seunghui's East Asian Modernism and the Case for Area Knowledge in Dance Studies / Emily E. Wilcox -- Toward a Critical Globalized Humanities: Dance Research in Mexico City at the CENIDID / Jose L. Reynoso.Futures of Dance Studies is an outrageously arrogant title. Yet this anthology of essays by 28 early-career scholars demonstrates the vitality and dynamism of dance studies, a field that for several decades seemed always emergent and finally has arrived. The authors are dancers, historians, ethnographers, theorists, and activists. Their topics range broadly across time and space, and their methods are equally capacious. Their writing is rigorous yet passionate, and together they articulate why dance matters to inquiries across the arts and humanities.Studies in dance history (Unnumbered)DanceStudy and teachingDanceSocial aspectsDanceStudy and teaching.DanceSocial aspects.793.307Manning SusanRoss JaniceSchneider RebeccaMiAaPQMiAaPQMiAaPQAzTeSBOOK9910793947103321Futures of dance studies3855735UNINA04382nam 2200613 450 991080852260332120220204223135.03-11-052167-910.1515/9783110522471(CKB)3710000001386867(MiAaPQ)EBC4866632(DE-B1597)473930(OCoLC)988761214(OCoLC)989860469(DE-B1597)9783110522471(Au-PeEL)EBL4866632(CaPaEBR)ebr11390726(CaONFJC)MIL1013018(EXLCZ)99371000000138686720170623h20172017 uy 0engurcnu||||||||rdacontentrdamediardacarrierBlack and slave the origins and history of the curse of Ham /David M. GoldenbergBerlin, [Germany] ;Boston, [Massachusetts] :Walter de Gruyter GmbH,2017.©20171 online resource (370 pages)Studies of the Bible and Its Reception ;Volume 103-11-052247-0 3-11-052166-0 Includes bibliographical references and indexes.Frontmatter --Contents --Abbreviations --Introduction --Chapter One. Black and/or Slave: Confusion, Conflation, Chaos --Chapter Two. Skin Color Etiologies --Chapter Three. The Origin of Black Skin in Noah's Ark --Chapter Four. The Origin of Black Skin in Noah's Tent --Chapter Five. The Beginnings of the Curse of Ham --Chapter Six. The Dual Curse of Slavery and Black Skin --Chapter Seven. The Curse of Ham Migrates to the West --Chapter Eight. The Dual Curse in Europe --Chapter Nine. The Curse of Ham in America --Chapter Ten. The Beginnings of Chaos --Chapter Eleven. Which People Were Cursed with Black Skin? --Chapter Twelve. The Meaning of Blackness and the Curse of Ham --Chapter Thirteen. Conclusions --Appendices --Appendix I. The Curse of Ham in Europe, 18th-19th Centuries --Appendix II. The Curse of Ham in America, 18th-20th Centuries --Appendix III. The Curse of Cain: 17th-19th Centuries --Excursus --Excursus I. Did Ham Have Sex with a Dog? --Excursus II. A Passage in Ṭabarī's History --Excursus III. Was Canaan Black? --Excursus IV. 'Kushite' Meaning Egyptian or Arab in Jewish Sources --Excursus V. A Curse of Ham in Origen? --Bibliography --Subject and Name Index --Index of Modern Authors --Index to ScriptureStudies of the Curse of Ham, the belief that the Bible consigned blacks to everlasting servitude, confuse and conflate two separate origins stories (etiologies), one of black skin and the other of black slavery. This work unravels the etiologies and shows how the Curse, an etiology of black slavery, evolved from an earlier etiology explaining the existence of dark-skinned people. We see when, where, why, and how an original mythic tale of black origins morphed into a story of the origins of black slavery, and how, in turn, the second then supplanted the first as an explanation for black skin. In the process we see how formulations of the Curse changed over time, depending on the historical and social contexts, reflecting and refashioning the way blackness and blacks were perceived. In particular, two significant developments are uncovered. First, a curse of slavery, originally said to affect various dark-skinned peoples, was eventually applied most commonly to black Africans. Second, blackness, originally incidental to the curse, in time became part of the curse itself. Dark skin now became an intentional marker of servitude, the visible sign of the blacks' degradation, and in the process deprecating black skin itself.Studies of the Bible and its reception ;Volume 10.Black people in the BibleBlack peoplePublic opinionHistoryBlacks.Curse.Ham.Slavery.Black people in the Bible.Black peoplePublic opinionHistory.220.8/305896BL 6300SEPArvkGoldenberg David M.1947-1655712MiAaPQMiAaPQMiAaPQBOOK9910808522603321Black and slave4008185UNINA