05005oam 22007694 450 991026523890332120230621135336.00-472-90099-40-472-02892-81-299-15988-510.3998/mpub.2580732(CKB)2550000001001337(EBL)3415122(SSID)ssj0000822411(PQKBManifestationID)11482187(PQKBTitleCode)TC0000822411(PQKBWorkID)10756271(PQKB)11047843(MiAaPQ)EBC3415122(MdBmJHUP)muse24865(WaSeSS)IndRDA00125316(MiU)10.3998/mpub.2580732(OCoLC)829243628(ScCtBLL)7c9a0265-5bf0-4fca-9ab1-30c74f858066EBL7007892(AU-PeEL)EBL7007892(MiAaPQ)EBC7007892(EXLCZ)99255000000100133720121212d2013 ub 0enguran#---|||||txtccrPublishing blackness textual constructions of race since 1850 /George Hutchinson and John K. Young, editiorsAnn Arbor :University of Michigan Press,[2013]1 online resource (245 p.)Editorial theory and literary criticismDescription based upon print version of record.0-472-11863-3 Includes bibliographical references (p. 211-214) and index.Introduction /George Hutchinson and John K. Young --The Brief Wondrous Life of the Anglo-African Magazine : or, Antebellum African American Editorial Practice and Its Afterlives /Ivy G. Wilson --Representing African American Literature : or, Tradition against the Individual Talent /George Hutchinson --Quite as human as it is Negro? : Subpersons and Textual Property in Native Son and Black Boy /John K. Young --The Colors of Modernism : Publishing African Americans, Jews, and Irish in the 1920s /George Bornstein --More than McKay and Guillén : The Caribbean in Hughes and Bontemps's The Poetry of the Negro (1949) /Ifeoma Kiddoe Nwankwo --Editorial Federalism : The Hoover Raids, the New Negro Renaissance, and the Origins of FBI Literary Surveillance /William J. Maxwell --Loosening the Straightjacket : Rethinking Racial Representation in African American Anthologies /Gene Andrew Jarrett --Let the World Be a Black Poem? : Some Problems of Recollecting and Editing Black Arts Texts /James W. Smethurst --Textual Productions of Black Aesthetics Unbound /Margo Natalie Crawford --Select Bibliography --Contributors --Index." From the white editorial authentication of slave narratives, to the cultural hybridity of the Harlem Renaissance, to the overtly independent publications of the Black Arts movement, to the commercial power of Oprah's Book Club, African American textuality has been uniquely shaped by the contests for cultural power inherent in literary production and distribution. Always haunted by the commodification of blackness, African American literary production interfaces with the processes of publication and distribution in particularly charged ways. An energetic exploration of the struggles and complexities of African American print culture, this collection ranges across the history of African American literature, and the authors have much to contribute on such issues as editorial and archival preservation, canonization, and the "packaging" and repackaging of black-authored texts. Publishing Blackness aims to project African Americanist scholarship into the discourse of textual scholarship, provoking further work in a vital area of literary study"--Provided by publisher.Editorial theory and literary criticism.American literatureAfrican American authorsHistory and criticismTheory, etcCriticism, TextualAmerican literatureAfrican American authorsPublishingHistoryLiterature publishingPolitical aspectsUnited StatesHistoryAfrican AmericansIntellectual lifeAfrican Americans in literatureAmerican literatureAfrican American authorsHistory and criticismTheory, etc.Criticism, Textual.American literatureAfrican American authorsPublishingHistory.Literature publishingPolitical aspectsHistory.African AmericansIntellectual life.African Americans in literature.810.9/896073LIT004040bisacshYoung John K(John Kevin),1968-Hutchinson George1953-Michigan Publishing (University of Michigan)MiUMiUBOOK9910265238903321Publishing blackness2053196UNINA