00800nam0-22002891--450-99000923151040332120101007104455.0000923151FED01000923151(Aleph)000923151FED0100092315120101007d1953----km-y0itay50------bagerDEy-------001yyZur Phanomenologie des Rechtsdie apriorischen Grundlagen des Burgerlichen RechtsAdolf ReinachMunchenKosel1953225 p.23 cm340Reinach,Adolf262653ITUNINARICAUNIMARCBK990009231510403321XI D 97558514FGBCFGBCZur Phanomenologie des Rechts773064UNINA03849oam 2200721Ia 450 991026523780332120250705110036.097866136642599781280687310128068731297808223953310822395339(CKB)2670000000185602(EBL)1173241(OCoLC)793202311(SSID)ssj0000645363(PQKBManifestationID)11388897(PQKBTitleCode)TC0000645363(PQKBWorkID)10681831(PQKB)10922966793202311(MiAaPQ)EBC1173241(oapen)https://directory.doabooks.org/handle/20.500.12854/26877(Perlego)1466663(ODN)ODN0010711173(oapen)doab26877(EXLCZ)99267000000018560220120507d2012 uy 0engur|n|---|||||txtccrCulture of class radio and cinema in the making of a divided Argentina, 1920-1946 /Matthew B. KarushDurham Duke University Press20121 online resource (290 p.)Description based upon print version of record.9780822352433 0822352435 9780822352648 0822352648 Includes bibliographical references and index.Class formation in the barrios -- Competing in the transnational marketplace -- Repackaging popular melodrama -- Mass-cultural nation building -- Politicizing populism -- Epilogue: The rise of the middle class, 1955-1976.Major change came to Argentina during the first decades of the twentieth century. Following the mass influx of European immigrants to the country during the beginning of the century, a truly national culture was produced through mass media, facilitating the assimilation of immigrants and their descendants. New forms of media emerged, such as radio and cinema, as did new forms of entertainment, such as tango songs, films, and radio theater. Yet despite the unifying effect of popular culture, the nation remained divided, and, if anything, more so in 1950 than in 1910. This book argues that the key to understanding this paradox lies in a reassessment of the mass culture of the 1920s and 1930s. With a focus on film and radio in and around Buenos Aires, the locus of production as well as much of the market consumption, Karush shows how integration and class fractures occurred simultaneously in a short span of the country's history. He brings together the usually separated subjects of radio and cinema to show how they can combine to gauge a larger cultural and political environment and shed light on class distinctions. The book contributes to an ongoing discussion of the relationship between power and mass culture. It will be of interest to scholars of cultural history and urban studies and those interested in Latin American history and culture.e-Duke books scholarly collection.Social classesArgentinaHistory20th centuryPopular cultureArgentinaHistory20th centuryMotion picturesArgentinaHistory20th centuryRadio broadcastingArgentinaHistory20th centurySocial classesHistoryPopular cultureHistoryMotion picturesHistoryRadio broadcastingHistory305.50982305.50982HIS033000SOC052000bisacshKarush Matthew B(Matthew Benjamin),1968-873392NcDNcDBOOK9910265237803321Culture of class1973321UNINA