04631nam 22006375 450 991025545050332120200629144747.03-319-65061-010.1007/978-3-319-65061-6(CKB)4100000001795181(DE-He213)978-3-319-65061-6(MiAaPQ)EBC5231292(PPN)255046294(EXLCZ)99410000000179518120180119d2017 u| 0engurnn|008mamaatxtrdacontentcrdamediacrrdacarrierWomen in European Holocaust Films Perpetrators, Victims and Resisters /by Ingrid Lewis1st ed. 2017.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2017.1 online resource (XIII, 278 p. 27 illus.) 3-319-65060-2 Includes bibliographical references at the end of each chapters and index.1. Introduction -- 2. Part I     Women and the Holocaust: The Silenced Gender? 2. The Silenced Gender Paradigm -- 3   Breaking the Silence on Women Perpetrators -- 4. Idealised or Ignored: Female Victims of the Holocaust -- 5. Invisible Resistance: Women’s Contribution -- 6. Part II     The Cinematic Representation of Women as Perpetrators and Accomplices of Nazism 6. Violent, Erotic, Brainwashed: Stereotypes of Female Perpetrators in Holocaust: Films between 1945 and 2000.- 7. Uneven Representations: Complex Men and Poorly Drawn Women -- 8. “Ordinary Women” as Perpetrators in 21st Century Holocaust Cinema -- 9. Part III     Female Victims in Holocaust Films: From Universalised Portrayals to Recovered Memory 9. Universalised Victims: Jewish Women in Early Holocaust Films -- 10. The Jewish Woman as Epitome of Holocaust Victimhood in the 1960s -- 11. Newcomers to Holocaust Cinema: Women in Crisis, Second Generation, Sexual Abuse and Other Victims of Persecution -- 12. The Trauma of (Post)Memory: Women’s Memories in the Holocaust Cinema of the New Millennium -- 13. Part IV     Gendering Heroism: The Role of Women in Filmic Discourses About Resistance 13. Patriarchal Perspectives on Jewish Female Heroism -- 14. The Role of Heroines in Coming to Terms with the Past in Germany and France -- 15. Gendered Disparities in the Portrayal of Rescuers -- 16. Conclusion.This book considers how women’s experiences have been treated in films dealing with Nazi persecution. Focusing on fiction films made in Europe between 1945 and the present, this study explores dominant discourses on and cinematic representation of women as perpetrators, victims and resisters. Ingrid Lewis contends that European Holocaust Cinema underwent a rich and complex trajectory of change with regard to the representation of women. This change both reflects and responds to key socio-cultural developments in the intervening decades as well as to new directions in cinema, historical research and politics of remembrance. The book will appeal to international scholars, students and educators within the fields of Holocaust Studies, Film Studies, European Cinema and Women’s Studies. .CultureGenderWorld War, 1939-1945Motion pictures—European influencesMotion pictures—HistoryWomenCulture and Genderhttps://scigraph.springernature.com/ontologies/product-market-codes/411210History of World War II and the Holocausthttps://scigraph.springernature.com/ontologies/product-market-codes/717110European Cinema and TVhttps://scigraph.springernature.com/ontologies/product-market-codes/413060Film Historyhttps://scigraph.springernature.com/ontologies/product-market-codes/413070Women's Studieshttps://scigraph.springernature.com/ontologies/product-market-codes/X35040Culture.Gender.World War, 1939-1945.Motion pictures—European influences.Motion pictures—History.Women.Culture and Gender.History of World War II and the Holocaust.European Cinema and TV.Film History.Women's Studies.791.43658Lewis Ingridauthttp://id.loc.gov/vocabulary/relators/aut880943BOOK9910255450503321Women in European Holocaust Films1967600UNINA