02588nam 22004935 450 991025522190332120200706062208.03-319-65400-410.1007/978-3-319-65400-3(CKB)4100000000882795(DE-He213)978-3-319-65400-3(MiAaPQ)EBC5100571(EXLCZ)99410000000088279520171010d2017 u| 0engurnn|008mamaatxtrdacontentcrdamediacrrdacarrierHermeneutics of the Film World A Ricœurian Method for Film Interpretation /by Alberto Baracco1st ed. 2017.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2017.1 online resource (XXVII, 321 p. 57 illus.) 3-319-65399-7 Includes bibliographical references at the end of each chapters and index.This book identifies a new methodological strategy for the interpretation of film philosophizing. Many recent works in film philosophy, adopting the approach identified with the term film as philosophy, have considered film as capable of doing philosophy.  Focused on the basic relationship between film and filmgoer, the proposed method is founded on the concept of the film world. Combining Merleau-Ponty’s and Ricœur’s philosophies, and reconsidering Goodman’s theory of worldmaking, the film world becomes the hermeneutic horizon from which film philosophical thought can emerge. The book shows how Ricœurian methodology has the potential to provide a valuable resource for film studies by inviting scholars to consider film interpretation in terms of film world hermeneutics. .Phenomenology Motion picturesCritical theoryPhenomenologyhttps://scigraph.springernature.com/ontologies/product-market-codes/E44070Film Theoryhttps://scigraph.springernature.com/ontologies/product-market-codes/413090Critical Theoryhttps://scigraph.springernature.com/ontologies/product-market-codes/E44010Phenomenology .Motion pictures.Critical theory.Phenomenology.Film Theory.Critical Theory.142.7Baracco Albertoauthttp://id.loc.gov/vocabulary/relators/aut959991BOOK9910255221903321Hermeneutics of the Film World2175768UNINA