04766nam 22006855 450 991025520380332120200702083553.03-319-42595-110.1007/978-3-319-42595-5(CKB)3710000001364507(DE-He213)978-3-319-42595-5(MiAaPQ)EBC4860839(EXLCZ)99371000000136450720170516d2017 u| 0engurnn|008mamaatxtrdacontentcrdamediacrrdacarrierAesthetics of Universal Knowledge /edited by Simon Schaffer, John Tresch, Pasquale Gagliardi1st ed. 2017.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2017.1 online resource (XXI, 271 p. 57 illus., 32 illus. in color.) 3-319-42594-3 Preface: Text And Context: Genius Loci; Pasquale Gagliardi -- Introduction; Simon Schaffer -- Part I. Visions -- 1. Re-Visioning The World: Mapping The Lithosphere; Adam Lowe And Jerry Brotton -- 2. Architects Of Knowledge; Pierre Chabard -- 3. Pictorialism (Prelude & Fugue); Cheryce Von Xylander -- 4. The Unending Quantity Of Objects: An Observation On Museums And Their Presentation Modes; Anke Te Heesen -- Part II. Worlds -- 5. Cosmopragmatics And Petabytes; John Tresch -- 6. Gaia Without The Sphere; Bruno Latour -- 7. Mapping Dark Matter And The Venice Paradox; David Turnbull -- Part III. Economies -- 8. The Web, Google And Cosmograms; Steve Crossan -- 9. Rhetoric, Economics, And Nature; Deirdre N. Mccloskey -- 10. Lodestar; Richard Powers. .Born out of a major international dialogue held at the Fondazione Giorgio Cini in Venice, Italy, this collection of essays presents innovative and provocative arguments about the claims of universal knowledge schemes and the different aesthetic and material forms in which such claims have been made and executed. Contributors take a close look at everything from religious pilgrimages, museums, and maps of the world, to search engines and automated GPS. Current obsessions in information technology, communications theory, and digital culture often concern the value and possibility of a grand accumulation of universally accessible forms of knowledge: total libraries, open data bases, ubiquitous computing, and ‘smart’ technologies. These obsessions have important social and philosophical origins, and they raise profound questions about the very nature of knowledge and its organization. This volume’s contributors draw on the histories of maps and of encyclopedias, worldviews and visionary collections, to make sense of the crucial relation between the way the world is known and how it might be displayed and transformed. .PhilosophyTechnology in literatureApplication softwareHumanitiesGeographical information systemsQuantum field theoryString theoryPhilosophy of Technologyhttps://scigraph.springernature.com/ontologies/product-market-codes/E34050Literature and Technology/Mediahttps://scigraph.springernature.com/ontologies/product-market-codes/827000Computer Appl. in Arts and Humanitieshttps://scigraph.springernature.com/ontologies/product-market-codes/I23036Popular Science in Humanities / Artshttps://scigraph.springernature.com/ontologies/product-market-codes/Q33000Geographical Information Systems/Cartographyhttps://scigraph.springernature.com/ontologies/product-market-codes/J13000Quantum Field Theories, String Theoryhttps://scigraph.springernature.com/ontologies/product-market-codes/P19048Philosophy.Technology in literature.Application software.Humanities.Geographical information systems.Quantum field theory.String theory.Philosophy of Technology.Literature and Technology/Media.Computer Appl. in Arts and Humanities.Popular Science in Humanities / Arts.Geographical Information Systems/Cartography.Quantum Field Theories, String Theory.601Schaffer Simonedthttp://id.loc.gov/vocabulary/relators/edtTresch Johnedthttp://id.loc.gov/vocabulary/relators/edtGagliardi Pasqualeedthttp://id.loc.gov/vocabulary/relators/edtBOOK9910255203803321Aesthetics of Universal Knowledge2037846UNINA