01129nam0-2200349---450-99000881411040332120090313120258.088-307-0729-5000881411FED01000881411(Aleph)000881411FED0100088141120090225d1997----km-y0itay50------baitaITa-------001yyFuturo sostenibilericonversione ecologica, Nord-Sud, nuovi stili di vitaWuppertal Instituta cura di Wolfgang Sachs, Reinhard Loske, Manfred LinzBolognaEditrice Missionaria italianac1997359 p.ill.21 cmSviluppo, ambiente, paceAmbiente naturaleProtezioneAspetti economiciSachs,WolfgangLoske,ReinhardLinz,ManfredWuppertal Institut für Klima, Umwelt, Energie504883ITUNINARICAUNIMARCBK9900088141104033211110 sez. Andriello1110DARPUDARPUFuturo sostenibile806707UNINA03745nam 22006375 450 991025509380332120240702100020.09783319644592331964459910.1007/978-3-319-64459-2(CKB)3780000000451257(MiAaPQ)EBC4980418(DE-He213)978-3-319-64459-2(Perlego)3497425(EXLCZ)99378000000045125720170817d2017 u| 0engurcnu||||||||rdacontentrdamediardacarrierLegacies of the Degraded Image in Violent Digital Media /by Stuart Marshall Bender1st ed. 2017.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2017.1 online resource (150 pages) illustrations, tablesPalgrave pivot9783319644585 3319644580 Includes bibliographical references at the end of each chapters and index.Chapter 1: Introduction -- Chapter 2: They Shoot Pixels Don't They? Killing Pixels From Patriot Games to Collateral Murder and Call of Duty -- Chapter 3: Performing Murder on Live Television and Social Media -- Chapter 4: Rethinking the Aesthetics of Terror Videos -- Chapter 5: The Aesthetics of Sousveillance: Redacted (2007) -- Chapter 6: Splats and Splashes: The Drone Warfare Genre and Digitally Mediated Trauma -- Chapter 7: Conclusion.This book undertakes a concentrated study of the impact of degraded and low-quality imagery in contemporary cinema and real-world portrayals of violence. Through a series of case studies, the book explores examples of corrupted digital imagery that range from mainstream cinema portrayals of drone warfare and infantry killing, through to real-world recordings of terrorist attacks and executions, as well as perpetrator-created murder videos live-streamed on the internet. Despite post-modernist concerns of cultural inurement during the seminal period of digitalized and virtualized killing in the 1990s, real-world reactions to violent media indicate that our culture is anything but desensitized to these media depictions. Against such a background, this book is a concentrated study of how these images are created and circulated in the contemporary media landscape and how the effect and affect of violent material is impacted by the low-resolution aesthetic. Stuart Marshall Bender is an Early Career Research Fellow at Curtin University, Australia, exploring the digital aesthetics of violence. A scholar and filmmaker, he has published work in The Journal of Popular Film & Television, M/C Journal, First Monday and had films screened in competition at a range of international festivals.Palgrave pivot.Film genresCommunicationMotion picturesCultureStudy and teachingGenre StudiesMedia and CommunicationFilm TheoryClose Readings in Film and TVCultural TheoryFilm genres.Communication.Motion pictures.CultureStudy and teaching.Genre Studies.Media and Communication.Film Theory.Close Readings in Film and TV.Cultural Theory.303.60943Bender Stuart Marshallauthttp://id.loc.gov/vocabulary/relators/aut853116BOOK9910255093803321Legacies of the Degraded Image in Violent Digital Media2533309UNINA