01913 am 2200697 n 450 9910416510103321201910052-38050-011-810.4000/books.pcjb.6240(CKB)4100000010163714(FrMaCLE)OB-pcjb-6240(oapen)https://directory.doabooks.org/handle/20.500.12854/47298(PPN)243134215(EXLCZ)99410000001016371420200213j|||||||| ||| 0freuu||||||m||||txtrdacontentcrdamediacrrdacarrierFabriquer l’antique Les contrefaçons de peinture murale antique au XVIIIe siècle /Delphine BurlotNaples Publications du Centre Jean Bérard20191 online resource (347 p.) 2-918887-15-3 HistorypeinturecollectionGrand TourXVIIIe siècleAntiquitéfaussairecontrefaçonantiquariatcollectionneurXVIIIe siècleantiquariatcontrefaçonpeinturecollectionneurAntiquitéGrand TourcollectionfaussaireHistorypeinturecollectionGrand TourXVIIIe siècleAntiquitéfaussairecontrefaçonantiquariatcollectionneurBurlot Delphine479111Baratte François343928Eristov Hélène1282391FR-FrMaCLEBOOK9910416510103321Fabriquer l’antique3018796UNINA03177nam 22006855 450 991025509270332120230810192502.09783319665085331966508110.1007/978-3-319-66508-5(CKB)4100000001038930(DE-He213)978-3-319-66508-5(MiAaPQ)EBC5117951(Perlego)3498130(EXLCZ)99410000000103893020171101d2017 u| 0engurnn|008mamaatxtrdacontentcrdamediacrrdacarrierAlan Moore, Out from the Underground Cartooning, Performance, and Dissent /by Maggie Gray1st ed. 2017.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2017.1 online resource (XIII, 298 p. 35 illus. in color.) Palgrave Studies in Comics and Graphic Novels,2634-63899783319665078 3319665073 Includes bibliographical references and index.Chapter 1. Introduction -- Chapter 2. the Marks of the Arts Lab: Comics, Performance, and the Counterculture -- Chapter 3. the Play of the Press: Cartooning, Materiality, and the Underground in Print -- Chapter 4. the Sound of the Underground: Comics, Music and the Politics of Punk.This book explores Alan Moore's career as a cartoonist, as shaped by his transdisciplinary practice as a poet, illustrator, musician and playwright as well as his involvement in the Northampton Arts Lab and the hippie counterculture in which it took place. It traces Moore's trajectory out from the underground comix scene of the 1970s and into a commercial music press rocked by the arrival of punk. In doing so it uncovers how performance has shaped Moore's approach to comics and their political potential. Drawing on the work of Bertolt Brecht, who similarly fused political dissent with experimental popular art, this book considers what looking strangely at Alan Moore as cartoonist tells us about comics, their visual and material form, and the performance and politics of their reading and making.Palgrave Studies in Comics and Graphic Novels,2634-6389CommunicationEthnologyGreat BritainCultureMotion picturesArtsFilm genresMedia and CommunicationBritish CultureAudio-Visual CultureArtsGenre StudiesCommunication.EthnologyCulture.Motion pictures.Arts.Film genres.Media and Communication.British Culture.Audio-Visual Culture.Arts.Genre Studies.302.23Gray Maggieauthttp://id.loc.gov/vocabulary/relators/aut937877BOOK9910255092703321Alan Moore, Out from the Underground2112820UNINA