04375nam 22005775 450 991025509240332120210915181305.03-319-64209-X10.1007/978-3-319-64209-3(CKB)4340000000223303(DE-He213)978-3-319-64209-3(MiAaPQ)EBC5164449(EXLCZ)99434000000022330320171128d2017 u| 0engurnn#008mamaatxtrdacontentcrdamediacrrdacarrier9/11 in European Literature[electronic resource] Negotiating Identities Against the Attacks and What Followed /edited by Svenja Frank1st ed. 2017.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2017.1 online resource (XI, 386 p. 5 illus.)3-319-64208-1 Includes bibliographical references at the end of each chapters and index.9/11 in European Literature. Negotiating Identities Against the Attacks and What Followed -- 9/11: The Interpretation of Disaster as Disaster of Interpretation – an American Catastrophe Reflected in American and European Discourses -- The Wind of the Hudson: Gerhard Richter’s September (2005) and the European Perception of Catastrophe -- Burning from the inside out’: Let the Great World Spin (2009) -- Seeing is Disbelieving: The Contested Visibility of 9/11 in France -- Cultural and Historical Memory in English and German Discursive Responses to 9/11 --  The Post-9/11 World in Three Polish Responses: Zagajewski, Skolimowski, Tochman -- The Islamic World as Other in Oriana Fallaci’s ‘Trilogy’ -- National Identity and Literary Culture after 9/11:Pro- and Anti-Americanism in Frédéric Beigbeder’s Windows on the World(2003) and Thomas Hettche’s Woraus wir gemacht sind (2006) -- The Mimicry of Dialogue: Thomas Lehr’s September. Fata Morgana (2010) -- Europe and Its Discontents: Intra-European Violence in Dutch Literature after 9/11 -- Tourist/Terrorist. Narrating Uncertainty in Early European Literature on Guantánamo -- Appendix.This volume looks at the representation of 9/11 and the resulting wars in European literature. In the face of inner-European divisions the texts under consideration take the terror attacks as a starting point to negotiate European as well as national identity. While the volume shows that these identity formations are frequently based on the construction of two Others—the US nation and a cultural-ethnic idea of Muslim communities—it also analyses examples which undermine such constructions. This much more self-critical strand in European literature unveils the Eurocentrism of a supposedly general humanistic value system through the use of complex aesthetic strategies. These strategies are in itself characteristic of the European reception as the Anglo-Irish, British, Dutch, Flemish, French, German, Italian, and Polish perspectives collected in this volume perceive of the terror attacks through the lens of continental media and semiotic theory.  .17.80bclEuropean literatureLiterature, Modern—20th centuryLiterature, Modern—21st centuryComparative literatureEuropean Literaturehttps://scigraph.springernature.com/ontologies/product-market-codes/832000Contemporary Literaturehttps://scigraph.springernature.com/ontologies/product-market-codes/815000Twentieth-Century Literaturehttps://scigraph.springernature.com/ontologies/product-market-codes/822000Comparative Literaturehttps://scigraph.springernature.com/ontologies/product-market-codes/81100017.80European literature.Literature, Modern—20th century.Literature, Modern—21st century.Comparative literature.European Literature.Contemporary Literature.Twentieth-Century Literature.Comparative Literature.809.4Frank Svenjaedthttp://id.loc.gov/vocabulary/relators/edtBOOK99102550924033219108311UNINA