02764nam 2200613Ia 450 991078461360332120230829001437.01-282-54567-197866125456721-84788-326-5(CKB)1000000000398226(EBL)487174(OCoLC)290552373(SSID)ssj0000263102(PQKBManifestationID)11225334(PQKBTitleCode)TC0000263102(PQKBWorkID)10271141(PQKB)11216362(MiAaPQ)EBC487174(Au-PeEL)EBL487174(CaPaEBR)ebr10233372(CaONFJC)MIL254567(OCoLC)893334834(EXLCZ)99100000000039822620060626d2006 uy 0engur|n|---|||||txtccrTwentieth-century mass society in Britain and the Netherlands[electronic resource] /edited by Bob Moore and Henk van NieropOxford ;New York Berg20061 online resource (206 p.)Description based upon print version of record.1-84520-525-1 Includes bibliographical references and index.Contents; Contributors; Preface; 1 Between Stupidity and Creativity; Part I Politics; 2 Politics and the People; 3 Dubious Democrats; Part II Welfare; 4 The Arrival of the Welfare State in Twentieth-century Mass Society; 5 The Welfare State in Mass Society; Part III Media; 6 Media, Morality and Popular Culture; 7 The Devil's Decade and Modern Mass Communication; Part IV Leisure; 8 Leisure and Pleasure; 9 'Mass Leisure' in Britain; Part V Youth; 10 The Youth Establishment in the Netherlands in the Twentieth Century; 11 'Seized by Change, Liberated by Affluence'; IndexComparing the British and Dutch experience of mass society in the twentieth century, this book considers five major areas: politics, welfare, media, leisure, and youth culture. Drawing on history, cultural studies and sociology, it offers insights into the development of modern European society.Mass societyPopular cultureGreat BritainHistory20th centuryPopular cultureNetherlandsHistory20th centuryMass society.Popular cultureHistoryPopular cultureHistory940.5Moore Bob1954-1550956Nierop Henk F. K. van1465091MiAaPQMiAaPQMiAaPQBOOK9910784613603321Twentieth-century mass society in Britain and the Netherlands3858766UNINA04606nam 22007215 450 991025508840332120230810191059.03-319-52198-510.1007/978-3-319-52198-5(CKB)4100000000587646(DE-He213)978-3-319-52198-5(MiAaPQ)EBC5047780(EXLCZ)99410000000058764620170915d2017 u| 0engurn|#||||||||txtrdacontentstirdacontentcrdamediacrrdacarrierThe Hermeneutics of Hell Visions and Representations of the Devil in World Literature /edited by Gregor Thuswaldner, Daniel Russ1st ed. 2017.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2017.1 online resource illustrations3-319-52197-7 Includes bibliographical references and index.1 Introduction: The Devil You Know and the Devils You Don’t Know -- 2 Two Brass Mites of the Widow : Saint Bridget of Sweden and the Terrors of Hell -- 3 The Uses of Tentatio: Satan, Luther, and Theological Maturation -- 4 As an Angel of Light: Satanic Rhetoric in Early Modern Literature and Theology -- 5 Astrophal redivivus: The Coinage of the Discourse on the Devil in the Early Modern Age in Georg Bernardt SJ’s Tundalus redivivus (1622) -- 6 The Drama of Hell: Sources and Interpretation in 17th Century Operatic Infernal Scenes -- 7 The Dia-bolic Logic of logos Towards a Hermeneutics of Hell in Goethe’s Faust -- 8 Literature, Theology, Survival -- 9 Dostoevsky’s Demons -- 10 “la manière de Milton”: Baudelaire Reads Milton’s Satan -- 11 Money as the Devil in B. Traven’s “Assembly Line” and Its Sources in Scripture, the Faust Legend, and New England Puritanism -- 12 Visions of Hell in Flannery O’Connor -- 13 “He Haunts One for Hours Afterwards”: Demonic Dissonance in Milton’s Satan and Lovecraft’s Nyarlathotep -- 14 “The One Who Knocks:” Milton’s Lucifer and the American Tragic Character -- 15 Reading the devil in the landscape -- 16 A Landscape of the Damned: Evil and Nothingness in Cormac McCarthy’s Outer Dark. .This collection of essays analyzes global depictions of the devil from theological, Biblical, and literary perspectives, spanning the late Middle Ages to the 21st century. The chapters explore demonic representations in the literary works of Johann Wolfgang von Goethe, Fyodor Dostoyevsky, Dante Alighieri, Charles Baudelaire, John Milton, H.P. Lovecraft, and Cormac McCarthy, among others. The text examines other media such as the operas Orfeo and Erminia sul Giordano and the television shows Breaking Bad, The Sopranos, and Mad Men. The Hermeneutics of Hell, featuring an international set of established and up-and-coming authors, masterfully examines the evolution of the devil from the Biblical accounts of the Middle Ages to the individualized presence of the modern world. .LiteratureHistory and criticismComparative literatureLiterature, MedievalEuropean literatureRenaissance, 1450-1600Literature and technologyMass media and literatureLiterature, Modern20th centuryLiterature, Modern21st centuryLiterary HistoryComparative LiteratureMedieval LiteratureEarly Modern and Renaissance LiteratureLiterature and TechnologyContemporary LiteratureLiteratureHistory and criticism.Comparative literature.Literature, Medieval.European literatureRenaissance, 1450-1600.Literature and technology.Mass media and literature.Literature, Modern20th century.Literature, Modern21st century.Literary History.Comparative Literature.Medieval Literature.Early Modern and Renaissance Literature.Literature and Technology.Contemporary Literature.809.933820216Thuswaldner Gregoredthttp://id.loc.gov/vocabulary/relators/edtRuss Danieledthttp://id.loc.gov/vocabulary/relators/edtBOOK9910255088403321The Hermeneutics of Hell1910290UNINA