03937nam 22006255 450 991025507930332120200703220713.01-137-44453-310.1057/978-1-137-44453-0(CKB)4100000000882591(DE-He213)978-1-137-44453-0(MiAaPQ)EBC5106055(EXLCZ)99410000000088259120171014d2017 u| 0engurnn|008mamaatxtrdacontentcrdamediacrrdacarrierElizabethan and Jacobean Reappropriation in Contemporary British Drama 'Upstart Crows' /by Graham Saunders1st ed. 2017.London :Palgrave Macmillan UK :Imprint: Palgrave Macmillan,2017.1 online resource (XI, 194 p.) Adaptation in Theatre and Performance1-137-44452-5 Includes bibliographical references and index.Contents -- Acknowledgements -- 1. Introduction: Appropriating the Past -- 2. Why Rewrite Shakespeare & his Contemporaries? -- 3. A Host of Lears: Howard Barker's Seven Lears, Elaine Feinstein's Lear's Daughters and Sarah Kane’s Blasted -- 4. ‘Love in the Museum’: Howard Barker, the Erotic and the Classical Text -- 5. ‘If Power Change Purpose’: Appropriation and the Shakespearian Despot -- 6. Anyone for Venice? Wesker. Marowitz & Pascal Appropriate The Merchant of Venice -- 7. Festive Tragedy: Jez Butterworth’s Jerusalem -- Bibliography -- Index.This book examines British playwrights' responses to the work of Shakespeare and his contemporaries since 1945, from Tom Stoppard's Rosencrantz and Guildenstern are Dead to Sarah Kane’s Blasted and Jez Butterworth’s Jerusalem. Using the work of Julie Sanders and others working in the fields of Adaptation Studies and intertextual criticism, it argues that this relatively neglected area of drama, widely considered to be adaptation, should instead be considered as appropriation - as work that often mounts challenges to the ideologies and orthodoxies within Elizabethan and Jacobean drama, and questions the legitimacy and cultural authority of Shakespeare’s legacy. The book discusses the work of Howard Barker, Peter Barnes, Edward Bond, Howard Brenton, David Edgar, Elaine Feinstein and the Women’s Theatre Group, David Greig, Sarah Kane, Dennis Kelly, Bernard Kopps, Charles Marowitz, Julia Pascal and Arnold Wesker.Adaptation in Theatre and PerformanceTheater—HistoryPerforming artsLiterature, ModernEthnology—EuropeLiterature—History and criticismTheatre Historyhttps://scigraph.springernature.com/ontologies/product-market-codes/415010Performing Artshttps://scigraph.springernature.com/ontologies/product-market-codes/415030Early Modern/Renaissance Literaturehttps://scigraph.springernature.com/ontologies/product-market-codes/817000British Culturehttps://scigraph.springernature.com/ontologies/product-market-codes/411050Literary Historyhttps://scigraph.springernature.com/ontologies/product-market-codes/813000Theater—History.Performing arts.Literature, Modern.Ethnology—Europe.Literature—History and criticism.Theatre History.Performing Arts.Early Modern/Renaissance Literature.British Culture.Literary History.792.09Saunders Grahamauthttp://id.loc.gov/vocabulary/relators/aut898124BOOK9910255079303321Elizabethan and Jacobean Reappropriation in Contemporary British Drama2112810UNINA