01155nam2 22002653i 450 SUN008364820110506094941.82920110506f |0itac50 baitaIT|||| |||||ˆ1: ‰Ricorsi amministrativi, giurisdizione ordinariaFederico CammeoMilano : Vallardi[191-?]XXIII 1130 p. ; 25 cmFondo Salvatore Biggiero.001SUN00836472001 Commentario delle leggi sulla giustizia amministrativaFederico Cammeo1210 MilanoVallardi215 vol.25 cm.MilanoSUNL000284Cammeo, FedericoSUNV036352231090VallardiSUNV004039650ITSOL20181109RICASUN0083648UFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZA00 CONS FB.IV.90 (1) 00 FB 3519 UFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZAFB3519CONS FB.IV.90 (1)caRicorsi amministrativi, giurisdizione ordinaria1435063UNICAMPANIA03322nam 22006735 450 991025506790332120250609111209.09783319495231331949523210.1007/978-3-319-49523-1(CKB)3710000001393624(DE-He213)978-3-319-49523-1(MiAaPQ)EBC4871120(Perlego)3497682(MiAaPQ)EBC6241983(EXLCZ)99371000000139362420170602d2017 u| 0engurnn|008mamaatxtrdacontentcrdamediacrrdacarrierBaroque, Venice, Theatre, Philosophy /by Will Daddario1st ed. 2017.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2017.1 online resource (IX, 261 p.) Performance Philosophy,2057-71769783319495224 3319495224 Includes bibliographical references and index.Introduction -- Part I. Baroque Pastoral -- Chapter 1. Garden Thinking and Baroque Pastoral -- Chapter 2. Pastoral Askew and Aslant -- Chapter 3. Jesuit Pastoral Theatre -- Part II. Discipline and Excess -- Chapter 4. Ruzzante Takes Place -- Chapter 5. The Enscenement of Self and the Jesuit 'Teatro del Mondo' -- Chapter 6. Baroque Diarchic Self -- Bibliography -- Index.This book theorizes the baroque as neither a time period nor an artistic style but as a collection of bodily practices developed from clashes between governmental discipline and artistic excess, moving between the dramaturgy of Jesuit spiritual exercises, the political theatre-making of Angelo Beolco (aka Ruzzante), and the civic governance of the Venetian Republic at a time of great tumult. The manuscript assembles plays seldom read or viewed by English-speaking audiences, archival materials from three Venetian archives, and several secondary sources on baroque, Renaissance, and early modern epistemology in order to forward and argument for understanding the baroque as a gathering of social practices. Such a rethinking of the baroque aims to complement the already lively studies of neo-baroque aesthetics and ethics emerging in contemporary scholarship on (for example) Latin American political art.Performance Philosophy,2057-7176TheaterHistoryAestheticsEuropeHistory1492-ArtsTheaterTheatre HistoryAestheticsHistory of Early Modern EuropeFine ArtNational and Regional Theatre and PerformanceTheaterHistory.Aesthetics.EuropeHistory1492-.Arts.Theater.Theatre History.Aesthetics.History of Early Modern Europe.Fine Art.National and Regional Theatre and Performance.792.09Daddario Willauthttp://id.loc.gov/vocabulary/relators/aut1030084BOOK9910255067903321Baroque, Venice, Theatre, Philosophy2542850UNINA