03936nam 22007335 450 991025506350332120251030100432.09781137306012113730601710.1057/978-1-137-30601-2(CKB)3710000001108813(DE-He213)978-1-137-30601-2(MiAaPQ)EBC4825697(Perlego)3499608(EXLCZ)99371000000110881320170317d2017 u| 0engurnn|008mamaatxtrdacontentcrdamediacrrdacarrierSpanish Gothic National Identity, Collaboration and Cultural Adaptation /by Xavier Aldana Reyes1st ed. 2017.London :Palgrave Macmillan UK :Imprint: Palgrave Macmillan,2017.1 online resource (X, 241 p.) Palgrave Gothic,2634-62229781137306005 1137306009 Includes bibliographical references at the end of each chapters and index.1. INTRODUCTION: DEFINING AND DELIMITING THE SPANISH GOTHIC -- 2. PART I - FIRST WAVE GOTHIC (1785–1834) - Chapter 1. Imported Terrors and First Genre Hybrids -- 3. Chapter 2. The Early Spanish Gothic Novel (1800–34) -- 4. PART II - FROM ROMANTICISM TO THE FIN-DE-SIÈCLE (1834–1900) - Chapter 3. Spanish Romanticism and the Gothic -- 5. Chapter 4. From the 1860s to the Fin-de-Siècle: The Development of the Gothic Short Story -- 6. PART III - MODERN AND CONTEMPORARY GOTHIC LITERATURE (1900–2016) - Chapter 5. The Twentieth Century (1900–75): Modernist Spiritualism and Political Gothic -- 7. Chapter 6. From the Death of Franco to the Present: The Establishment of Horror and the Gothic Auteur -- 8. PART IV - SPANISH GOTHIC CINEMA (1906–2016) - Chapter 7. From Segundo de Chomón to the Rise and Fall of ‘Fantaterror’ -- 9. Chapter 8. The Post-Millennial Horror Revival: Auteurs, Gothic (Dis)Continuities and National History -- 10. Conclusion: A Language of Collaboration and Liberation. .This book presents the first English introduction to the broad history of the Gothic mode in Spain. It focuses on key literary periods, such as Romanticism, the fin-de-siècle, spiritualist writings of the early-twentieth century, and the cinematic and literary booms of the 1970s and 2000s. With illustrative case studies, Aldana Reyes demonstrates how the Gothic mode has been a permanent yet ever-shifting fixture of the literary and cinematic landscape of Spain since the late-eighteenth century. He proposes that writers and filmmakers alike welcomed the Gothic as a liberating and transgressive artistic language.Palgrave Gothic,2634-6222Motion picturesEthnologyEuropeCultureMotion picturesHistoryLiteratureHistory and criticismMotion picture plays, EuropeanEuropean literatureFilm TheoryEuropean CultureFilm and TV HistoryLiterary HistoryEuropean Film and TVEuropean LiteratureMotion pictures.EthnologyCulture.Motion picturesHistory.LiteratureHistory and criticism.Motion picture plays, European.European literature.Film Theory.European Culture.Film and TV History.Literary History.European Film and TV.European Literature.791.4301Aldana Reyes Xavierauthttp://id.loc.gov/vocabulary/relators/aut892298BOOK9910255063503321Spanish Gothic1992539UNINA