02600 am 22004813u 450 991024744490332120230621140140.0978061598393610.21983/P3.0105.1.00(CKB)4100000001283608(OAPEN)1004577(oapen)https://directory.doabooks.org/handle/20.500.12854/36179(EXLCZ)99410000000128360820200123h20152015 fy pengurmu#---auuuutxtrdacontentcrdamediacrrdacarrierBallads /Richard OwensSecond edition.Brooklyn, NYpunctum books2015Buffalo, NY :eth press,2015.©20151 online resource (viii, 132 pages) illustrations; PDF, digital file(s)First edition published by habenicht press, 2012 --title-page verso.Print version: 0615983936 Originally published by eth co-director David Hadbawnik’s habenicht press in 2012, Ballads uses the lyric form to explore the effects of global Capitalism from a sharp Marxist perspective. Recognizing the congruence between folk song circulation and the circulation of money, the “currency” of the ballad alongside supply-side economics, Owens hails Wordworth’s Lyric Ballads experiment (undertaken at the dawn of England’s Industrial Age) as one touchstone. But he also understands the built-in obsolescence of the form, its tendency to hearken back to imaginary origins. “[E]veryone has an idea they know what a ballad is,” Owens writes in his “Working Notes.” “It’s this degraded thing shot through with a sense of pastness, cultural infancy and a charming but sometimes dangerous rusticity that needs to be carefully framed and reined.” Thus Owens’ Ballads playfully engages with language, figures, and forms from medieval and early modern England, with nods to the caesura-based, alliterative line, and Barbara Allan, Thomas the Rhymer, and Piers Plowman making appearances in the book’s brief lyrics.Poetry, ModernSmall press booksPoetry by individual poetsbicsscpoetryballadspremodern Englandglobal capitalismPoetry, Modern.Small press books.Poetry by individual poetsOwens Richard1973-975242UkMaJRU9910247444903321Ballads2220846UNINA