02569oam 22005414a 450 991022006240332120230621141043.090-485-3455-010.1515/9789048534555(CKB)4100000000588770(MiAaPQ)EBC5216807(OCoLC)1178720917(MdBmJHUP)muse76830(DE-B1597)502533(OCoLC)1019679051(DE-B1597)9789048534555(oapen)https://directory.doabooks.org/handle/20.500.12854/37179(EXLCZ)99410000000058877020200724e20202017 uy 0engurcnu||||||||rdacontentrdamediardacarrierPopular Music in Southeast AsiaBart Barendregt, Peter Keppy, and Henk Schulte NordholtAmsterdam University Press2017Baltimore, Maryland :Project Muse,2020©20201 online resource (105 pages) illustrations94-6298-403-4 Includes bibliographical references.Introduction -- 1. Oriental foxtrots and phonographic noise, 1910s-1940s -- 2, Jeans, rock, and electric guitars, 1950s-mid-1960s -- 3. The ethnic modern, 1970s-1990s -- 4. Doing it digital, 1990s-2000s.From the 1920s on, popular music in Southeast Asia was a mass-audience phenomenon that drew new connections between indigenous musical styles and contemporary genres from elsewhere to create new, hybrid forms. This book presents a cultural history of modern Southeast Asia from the vantage point of popular music, considering not just singers and musicians but their fans as well, showing how the music was intrinsically bound up with modern life and the societal changes that came with it. Reaching new audiences across national borders, popular music of the period helped push social change, and at times served as a medium for expressions of social or political discontent.Popular musicSoutheast AsiaHistory and criticismElectronic books. Southeast Asia, Popular Music, History.Popular musicHistory and criticism.781.630959950Barendregt Bart A.1968-891480Schulte Nordholt Henk1953-Keppy PeterMdBmJHUPMdBmJHUPBOOK9910220062403321Popular Music in Southeast Asia2434253UNINA