03715nam 2200457 450 991022002860332120170919202433.090-04-29189-X10.1163/9789004291898(CKB)3710000000739260(PQKBManifestationID)16452817(PQKBWorkID)14998479(PQKB)24812523(nllekb)BRILL9789004291898(EXLCZ)99371000000073926020150521d2015 uy 0engurun| uuuuatxtccrDie Blechtrommel translation, reception and adaptation from a European perspectiveLeiden :Brill,[2015]1 online resourceRadboud studies in humanities,2213-9729Bibliographic Level Mode of Issuance: Monograph90-04-29188-1 Preliminary Material -- Reading Die Blechtrommel throughout Europe: Introduction /Jos Joosten and Christoph Parry -- 1 Vom Skandalroman zum modernen Klassiker: Die Rezeption von Günter Grass’ Roman Die Blechtrommel im deutschsprachigen Raum /Stefan Neuhaus -- 2 Von der ,epileptischen Kapriole‘ zum Nobelpreis: Die Blechtrommel als Paradigma der deutschsprachigen Literaturkritik /Veronika Schuchter -- 3 Die Blechtrommel in Polen: Der mühsame Weg zum Erfolg /Mirosław Ossowski -- 4 Die Blechtrommel und die italienische Kulturszene Anfang der Sechziger Jahre /Eva Banchelli -- 5 Being Günter Grass: Appropriations of the Tin Drum Author in the British Media /Rebecca Braun -- 6 A Big Bang? The Paradox of the Reception of Günter Grass’s Die Blechtrommel in The Netherlands /Jos Joosten -- 7 Framing Grass: The Reception of Die Blechtrommel in Flanders /Elke Brems -- 8 ,Schon schnellten sich von Oskars Zunge einige französische Wörtchen‘: Die Blechtrommel in Frankreich /Stéphanie Vanasten -- 9 Reception of the First Translation of Günter Grass’s Die Blechtrommel in the Major Finnish Press /Christoph Parry -- 10 Die Blechtrommel in der finnischen Neuübersetzung von Oili Suominen. Zur Vernetzung von Verlag, Übersetzung und Rezeption /Liisa Laukkanen -- 11 “Inte bara Grass … ” („Nicht nur Grass … “). Abgrenzung, Identifikation, Banalisierung, oder: Zur Rezeption von Günter Grass, seiner Blechtrommel und der Nachkriegsliteratur in Schweden /Edgar Platen -- Index of Names /Jos Joosten and Christoph Parry.The Echo of Die Blechtrommel in Europe presents an overview and analysis of the critical reception of Günter Grass’s classic novel throughout Europe. Starting from the reviews on its first publication in Germany in 1959, it follows the reception of its translations in Poland, Italy, the UK, The Netherlands, Belgium, France, Finland and Sweden. Press reviews for the general public form the main object of research in this volume. The articles reveal the different roles played by religious, political and ideological matters in the reception of the novel in the respective European countries. The articles, written by specialists from the countries under study, also reveal national differences and resemblances in the institutions of literary life in Europe.Radboud Studies in Humanities6.German literatureCriticism and interpretationGerman literatureCriticism and interpretation.833/.914Joosten JosParry Christoph1951-NL-LeKBNL-LeKBBOOK9910220028603321Die Blechtrommel2029316UNINA03404nam 22006852 450 991082782150332120151005020624.01-139-17953-51-107-22568-X1-283-38242-397866133824291-139-18917-41-139-02918-51-139-18789-91-139-19048-21-139-18326-51-139-18558-6(CKB)2550000000075849(EBL)807291(OCoLC)782877005(SSID)ssj0000570420(PQKBManifestationID)11354111(PQKBTitleCode)TC0000570420(PQKBWorkID)10588195(PQKB)10112983(UkCbUP)CR9781139029186(Au-PeEL)EBL807291(CaPaEBR)ebr10521010(CaONFJC)MIL338242(MiAaPQ)EBC807291(PPN)26308647X(EXLCZ)99255000000007584920141103d2011|||| uy| 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierThe Cambridge introduction to eighteenth-century poetry /John Sitter[electronic resource]Cambridge :Cambridge University Press,2011.1 online resource (xii, 246 pages) digital, PDF file(s)Cambridge introductions to literatureTitle from publisher's bibliographic system (viewed on 05 Oct 2015).0-521-61278-0 0-521-84824-5 Includes bibliographical references and index.Introduction -- pt. 1. Voice. Voice in eighteenth-century poetry ; The heroic couplet continuum ; Vocal engagement: reading Pope's An essay on criticism ; Talking in tetrameter ; Blank verse and stanzaic poetry -- pt. 2. Poetic consciousness. Satiric poetry ; Pope as metapoet ; Metapoetry beyond Pope -- pt. 3. Vision. Reading visions ; Personification ; Prophecy and prospects of society ; Ecological prospects and natural knowledge -- A concluding note: then and now.For readers daunted by the formal structures and rhetorical sophistication of eighteenth-century English poetry, this introduction by John Sitter brings the techniques and the major poets of the period 1700-1785 triumphantly to life. Sitter begins by offering a guide to poetic forms ranging from heroic couplets to blank verse, then demonstrates how skilfully male and female poets of the period used them as vehicles for imaginative experience, feelings and ideas. He then provides detailed analyses of individual works by poets from Finch, Swift and Pope, to Gray, Cowper and Barbauld. An approachable introduction to English poetry and major poets of the eighteenth century, this book provides a grounding in poetic analysis useful to students and general readers of literature.Cambridge introductions to literature.English poetry18th centuryHistory and criticismEnglish poetryHistory and criticism.821/.509LIT004120bisacshSitter John E.193657UkCbUPUkCbUPBOOK9910827821503321The Cambridge introduction to eighteenth-century poetry3960672UNINA