02808 am 22005533u 450 991022000680332120230621140747.09789048523481(CKB)3800000000216632(OCoLC)993581064(ScCtBLL)baaebd36-ae6d-4211-a4e9-bc87473948f2(oapen)https://directory.doabooks.org/handle/20.500.12854/34389(EXLCZ)99380000000021663220180122c2017uuuu uy| 0engurm|#---|||||txtrdacontentcrdamediacrrdacarrierCinema, trance and cybernetics[electronic resource] /Ute HollAmsterdamAmsterdam University Press2017Amsterdam, Netherlands :Amsterdam University Press,2017.1 online resource (326 pages) illustrations; digital, PDF file(s)Recursions: theories of media, materiality, and cultural techniquesTranslated from the German.Originally published in print format: 2002.Print version: 9789089646682 Includes bibliographical references and index.Ute Holl explores cinema as a cultural technique of trance, unconsciously transforming everyday spatio-temporal perception. The archaeology of experimental and anthropological cinema leads into psycho-physiological laboratories of the 19th century. Through personal and systematic catenations, avant-garde filmmaking is closely linked to the emerging aesthetics of feedback in cybernetic models of the mind developed at the same time. Holl analyses three major fields of experimental and anthropological filmmaking: the Soviet avant-garde with Dziga Vertov and his background in Russian psycho-reflexology and theory of trance; Jean Rouch and his theory of cine-trance and the feed-back; and the New American Cinema with Maya Deren and Gregory Bateson conceptualising the organisation of time, space, movement and feedback trance in anthropological filmmaking.Recursions: theories of media, materiality, and cultural techniques.Cinema, trance & cyberneticsMotion picturesPsychological aspectsMotion picturesAestheticsMedia and CommunicationsConsciousnessCyberneticsDziga VertovJean RouchPhysiologyMotion picturesPsychological aspects.Motion picturesAesthetics.003.5Holl Ute915607Hendrickson Daniel1963-UkMaJRUBOOK9910220006803321Cinema, trance and cybernetics2052555UNINA