04819oam 2200949 c 450 991021385790332120260102090118.09783839423066383942306610.14361/transcript.9783839423066(CKB)2550000001337670(EBL)1914148(SSID)ssj0001345180(PQKBManifestationID)11906936(PQKBTitleCode)TC0001345180(PQKBWorkID)11329480(PQKB)10813816(MiAaPQ)EBC1914148(DE-B1597)395380(OCoLC)903974155(OCoLC)979892149(DE-B1597)9783839423066(MiAaPQ)EBC5494391(MiAaPQ)EBC6695214(Au-PeEL)EBL5494391(OCoLC)885022203(Au-PeEL)EBL6695214(ScCtBLL)6f3f7dda-b83c-4942-909c-916a93cbdb65(transcript Verlag)9783839423066(oapen)https://directory.doabooks.org/handle/20.500.12854/34337(Perlego)1461598(oapen)doab34337(EXLCZ)99255000000133767020260102h20142013 uy 0engur|n|---|||||txtccrDoes War Belong in Museums?The Representation of Violence in ExhibitionsWolfgang Muchitsch1st ed.Bielefeldtranscript Verlag20142014, c20131 online resource (225 p.)Edition Museumsakademie JoanneumInternational conference proceedings.9783837623062 3837623068 9781306997058 1306997054 Includes bibliographical references.1 Editorial 2 Content 5 Does War Belong in Museums? The Representation of Violence in Exhibitions 9 Introduction 13 Museums and the Representation of War 21 Military Museums and Social History 41 Contents and Space: New Concept and New Building of the Militärhistorisches Museum of the Bundeswehr 63 From Technical Showroom to Full-fledged Museum: The German Tank Museum Munster 83 The Museum of Military History/Institute of Military History in Vienna: History, Organisation and Significance 99 The Concept for a New Permanent Exhibition at the Museum Altes Zeughaus 107 About the Beauty of War and the Attractivity of Violence 123 The Bomb and the City: Presentations of War in German City Museums 131 War in Context: Let the Artifacts Speak 145 War Museums and Photography 155 The Monument is Invisible, the Sign Visible. Monuments in New Perspectives 173 Politics of Memory and History in the Museum - The New "Museum of the History of the Great Patriotic War" in Minsk/Belarus 185 Framing the Military-Nation: New War Museums and Changing Representational Practices in Turkey since 2002 203 Contributors 219Presentations of war and violence in museums generally oscillate between the fascination of terror and its instruments and the didactic urge to explain violence and, by analysing it, make it easier to handle and prevent. The museums concerned also have to face up to these basic issues about the social and institutional handling of war and violence. Does war really belong in museums? And if it does, what objectives and means are involved? Can museums avoid trivializing and aestheticising war, transforming violence, injury, death and trauma into tourist sights? What images of shock or identification does one generate – and what images would be desirable?»Ein instruktiver Band.«Reviewed in:H-Soz-u-Kult, 10.10.2013, Christian HirteMitteilungen, 46/2 (2013)Edition Museumsakademie Joanneum ;Bd. 4.Muchitsch (ed.), Does War Belong in Museums?The Representation of Violence in ExhibitionsMuseumWarConflictExhibitionViolenceCultural HistoryMuseologyMemory CultureMuseumWarConflictExhibitionViolenceCultural HistoryMuseologyMemory Culture355.02074Muchitsch Wolfgang<p>Wolfgang Muchitsch, Universalmuseum Joanneum GmbH Graz, Österreich</p>edtKnowledge Unlatched - KU Select 2016: Backlist Collectionfndhttp://id.loc.gov/vocabulary/relators/fndDE-B1597DE-B1597BOOK9910213857903321Does War Belong in Museums4293383UNINA