02698 am 22007213 450 991021384730332120240117224915.09783110475838(PDF ebook)9783110474152(ebook)9783110472202(hardback)10.1515/9783110475838(CKB)3850000000001156(DE-B1597)463818(OCoLC)1011439743(OCoLC)992472397(OCoLC)992516052(OCoLC)994207072(DE-B1597)9783110475838(ScCtBLL)a109322c-cd19-4bb1-91bb-b301c4156cd6EBL6978373(AU-PeEL)EBL6978373(oapen)https://directory.doabooks.org/handle/20.500.12854/34445(MiAaPQ)EBC6978373(PPN)203527550(EXLCZ)99385000000000115620190615d2017 fg |engur||#||||||||txtrdacontentcrdamediacrrdacarrierStealing the club from Hercules on imitation in Latin poetry /Gian Biagio ConteBerlin/BostonDe Gruyter2017Berlin ;Boston :De Gruyter,[2017]©20171 online resource (61 pages) digital file(s)Description based upon print version of record.Print version (hardback): 9783110472202 Frontmatter --Index --Foreword --1. Stealing the club from Hercules --2. A critical retrospective: method and its limitsIn the first part of this volume on the literary technique of imitation, the author analyses Virgil's working over the text of Homer which paradoxically represents a true act of artistic originality. In the second chapter, the author reconstructs the presuppositions of a method and explores at the same time its limitations.Classical literatureHistory and criticismImitation in literatureLatin poetryHistory and criticismClassicsAeneasAeneidHomerIntertextualityPhilologyStructuralismVirgilClassical literatureHistory and criticism.Imitation in literature.Latin poetryHistory and criticism.871/.0109FU 2510rvkConte Gian Biagio1941-163584DE-B1597DE-B1597NZ-WeVUL9910213847303321Stealing the club from Hercules1493844UNINA