03075nam 22007574a 450 991017222480332120230718165244.00-8223-8510-41-283-06474-X978661306474510.1515/9780822385103(CKB)1000000000294617(EBL)1167864(SSID)ssj0000390964(PQKBManifestationID)12169928(PQKBTitleCode)TC0000390964(PQKBWorkID)10451458(PQKB)10567991(OCoLC)213455232(MiAaPQ)EBC1167864(OCoLC)1140944249(MdBmJHUP)muse79599213455232(DE-B1597)552191(DE-B1597)9780822385103(OCoLC)1055303768(EXLCZ)99100000000029461720080318d2003 uy 0engur|n|---|||||txtccrAppropriating Blackness performance and the politics of authenticity /E. Patrick JohnsonDurham [N.C.] Duke University Press20031 online resource (383 p.)Description based upon print version of record.0-8223-3154-3 0-8223-3191-8 Includes bibliographical references (p. [345]-359) and index."Blackness" and authenticity : what's performance got to do with it? -- The pot is brewing : Marlon Riggs' Black is ... Black ain't -- Manifest faggotry : queering masculinity in African American culture -- Mother knows best : Blackness and transgressive domestic space -- "Nevah had uh cross word" : mammy and the trope of Black womanhood -- Sounds of Blackness down under : the Café of the Gate of Salvation -- Performance and/as pedagogy : performing Blackness in the classroom.A consideration of the performance of Blackness and race in general, in relation to sexuality and critiques of authenticity.e-Duke books scholarly collection.African AmericansRace identityAfrican AmericansIntellectual lifeAfrican Americans in popular cultureAuthenticity (Philosophy)Political aspectsUnited StatesPerforming artsSocial aspectsUnited StatesPerforming artsPolitical aspectsUnited StatesUnited StatesRace relationsAfrican AmericansRace identity.African AmericansIntellectual life.African Americans in popular culture.Authenticity (Philosophy)Political aspectsPerforming artsSocial aspectsPerforming artsPolitical aspects305.896/073305.896073LB 42610rvkJohnson E. Patrick1967-984113NcDNcDBOOK9910172224803321Appropriating Blackness2247604UNINA