02780oam 2200589Ia 450 991016665320332120240424230137.01-280-68733-997866136642730-8223-9488-X(CKB)2670000000185334(EBL)1172991(OCoLC)792758464(SSID)ssj0000645279(PQKBManifestationID)11417660(PQKBTitleCode)TC0000645279(PQKBWorkID)10696218(PQKB)11464398792758464(MiAaPQ)EBC1172991(MdBmJHUP)muse17827(oapen)https://directory.doabooks.org/handle/20.500.12854/36196(EXLCZ)99267000000018533420120430d2012 uy 0engur|n|---|||||txtccrContemporary Carioca technologies of mixing in a Brazilian music scene /Frederick MoehnDurham Duke University Press20121 online resource (318 p.)Description based upon print version of record.0-8223-5141-2 0-8223-5155-2 Includes bibliographical references and index.Marcos Suzano : a Carioca blade runner -- Lenine : pernambuco speaking to the world -- Pedro Luís and the wall : Tupy Astronauts -- Fernanda Abreu : garota carioca -- Paulinho Moska : difference and repetition -- On cannibals and chameleons -- Appendix 1: a note about interviews, with a list of interviews cited -- Appendix 2: introductory aspects of Marcos Suzano's pandeiro method.The ethnomusicologist Frederick Moehn introduces a generation of Rio-based musicians who build on the música popular brasileira (MPB) of previous decades, but who have yet to receive scholarly attention. This generation, the ""children of the dictatorship,"" reinvigorated Brazilian genres such as samba and maracatu through juxtaposition with international influences, including rock, techno, and funk. Moehn offers vivid depictions of Rio musicians as they creatively combine and reconcile local realities with global trends and exigencies.e-Duke books scholarly collection.Popular musicBrazilHistory and criticismSoundRecording and reproducingDigital techniquesPopular musicHistory and criticism.SoundRecording and reproducingDigital techniques.781.640981/09049781.64098109049Moehn Frederick1964-967423NcDNcDBOOK9910166653203321Contemporary Carioca2196364UNINA