04584 am 22004693u 450 991016433990332120230808201451.0(CKB)3710000001058919(oapen)https://directory.doabooks.org/handle/20.500.12854/35652(EXLCZ)99371000000105891920170220d2016uuuu fy| egerurm|#---|||||txtrdacontentcrdamediacrrdacarrierShakespeare im spiegelkabinett zur produktiven vielfalt seiner rezeption /Sarah Alam, Barbara Schaff (Hg.)Universitätsverlag Göttingen2016Göttingen, Germany :Universitätsverlag Göttingen,2016.©20161 online resource (174 pages) illustrations; digital, PDF file(s)3863952820 Includes bibliographical references.2014 and 2016, marked by the 450th anniversary of his birthday and the 400th anniversary of his demise respectively, have both been dedicated to the remembrance of William Shakespeare and the celebration of his work through readings, theater productions, movies, exhibitions, and many academic events. He is fondly called the “Bard” by many and has long been England's export hit. Shakespeare gained lasting fame and fortune during his lifetime not only by successfully moving his audience, but also because from the beginning his work inspired critical and artistic dialogue. The ingenuity and uniqueness of his work did not fail to inspire the creative imagination of successive generations of authors, artists, and musicians over the past four and a half centuries. In fact, each generation has reimagined and recreated Shakespeare in its own different way, bringing its own interpretation, themes, fashion, taste, and customs to the rereading, visualization, and intonation of his work. The brand “Shakespeare” is still as popular and productive as ever. A fact that is apparent not only in the huge numbers of visitors yearly to Stratford upon Avon and Verona, the city of Shakespeare's tragic-romance Romeo and Juliet, but also in the long line of movies produced based on his plays each year. One might even go as far as to assert that it is the generations of productive readers and their own unique creative interpretations that have kept the Bard alive over the past 450 years. This collection of essays celebrates Shakespeare’s two big anniversaries and takes the opportunity to look at him from a different perspective, as a source of inspiration and, for a change, to explore the eclectic results of centuries of productive reception of his work from the Elizabethan era up to the 21rst century.Die Jahre 2014 und 2016 sind die beiden großen Shakespeare-Jahre des noch jungen 21. Jahrhunderts. Mit Lesungen, Inszenierungen, Ausstellungen, Filmen und akademischen Veranstaltungen zum 450. Geburtstag beziehungsweise dem 400. Todestag gedenkt die Welt in diesen Jahren ihres größten Dichters. Durch seine Werke bleibt William Shakespeare in der kulturellen Erinnerung der Welt nicht nur präsent, sondern lebendig. Die Ringvorlesung, mit der das Englische Seminar der Universität Göttingen einen Beitrag zu den weltweit stattfindenden Shakespeare-Feiern geleistet hat, hat die andauernde Faszination William Shakespeares als Herausforderung begriffen und sich die Frage nach der produktiven Vielfalt der Rezeptionsweisen seines Werks gestellt. Shakespeares Werk und Leben haben in den vergangenen Jahrhunderten immer wieder die literarische, künstlerische und musikalische Imagination inspiriert und sind weltweit zum Ausgangspunkt ästhetischer Neuschöpfungen geworden: in Form von Theateraufführungen und Filmadaptionen, von literarischen Bezugnahmen, von musikalischen oder bildlichen Umsetzungen Shakespeare’scher Szenen. So hat eine jede Zeit „ihren“ Shakespeare hervorgebracht und spiegelt die ihr eigenen Ideen, Identitäten, Konflikte und Probleme in der produktiven Aneignung seiner Dramen.Art appreciationShakespeare receptionbardolatrywomen theaterBen JonsonHamletWilliam ShakespeareArt appreciation.800Alam Sarahedt1376997Alam SarahSchaff BarbaraUkMaJRUBOOK9910164339903321Shakespeare im spiegelkabinett3413458UNINA04758nam 22011175 450 99624821340331620240410065404.01-282-35545-70-520-90910-097866123554550-585-13988-110.1525/9780520909106(CKB)111004366701954(EBL)224634(OCoLC)630528659(SSID)ssj0000214667(PQKBManifestationID)11234977(PQKBTitleCode)TC0000214667(PQKBWorkID)10167603(PQKB)11736564(MiAaPQ)EBC224634(OCoLC)44963242(MdBmJHUP)muse30671(DE-B1597)519436(OCoLC)1114863330(DE-B1597)9780520909106(dli)HEB08381(MiU)MIU01000000000000009859160(EXLCZ)9911100436670195420200424h19911991 fg 0engurnn#---|u||utxtccrOn Roman time the codex-calendar of 354 and the rhythms of urban life in late antiquity /Michele Renee Salzman1st ed.Berkeley, CA :University of California Press,[1991]©19911 online resource (437 p.)Transformation of the Classical Heritage ;17Description based upon print version of record.0-520-06566-2 Includes bibliographical references and indexes.Front matter --CONTENTS --LIST OF ILLUSTRATIONS --LIST OF ABBREVIATIONS --PREFACE --PART I. THE BOOK: THE CODEXCALENDAR OF 354 --PART II. THE CALENDAR: A ROMAN CALENDAR FOR A.D. 354 --PART III. THE WORLD: ROMAN SOCIETY AND RELIGION AND THE CODEX-CALENDAR OF 354 --APPENDICES --GENERAL INDEX --INDEX OF ILLUSTRATED SUBJECTSBecause they list all the public holidays and pagan festivals of the age, calendars provide unique insights into the culture and everyday life of ancient Rome. The Codex-Calendar of 354 miraculously survived the Fall of Rome. Although it was subsequently lost, the copies made in the Renaissance remain invaluable documents of Roman society and religion in the years between Constantine's conversion and the fall of the Western Empire. In this richly illustrated book, Michele Renee Salzman establishes that the traditions of Roman art and literature were still very much alive in the mid-fourth century. Going beyond this analysis of precedents and genre, Salzman also studies the Calendar of 354 as a reflection of the world that produced and used it. Her work reveals the continuing importance of pagan festivals and cults in the Christian era and highlights the rise of a respectable aristocratic Christianity that combined pagan and Christian practices. Salzman stresses the key role of the Christian emperors and imperial institutions in supporting pagan rituals. Such policies of accommodation and assimilation resulted in a gradual and relatively peaceful transformation of Rome from a pagan to a Christian capital.Transformation of the classical heritage ;volume 17.Calendar, RomanRomeReligious life and customsRomeSocial life and customs354.ammianus marcellinus.ancient rome.ancient world.antiquity.assimilation.catholic church.christian capital.christian emperors.christian rome.christianity.church history.codex calendar.constantine.conversion.early church.fall of rome.festivals.history.holidays.nonfiction.pagan cults.pagan rome.pagan.paganism.pre julian calendar.religion.religious freedom.religious studies.roman art.roman calendar.roman empire.roman literature.roman society.urban rome.western empire.Calendar, Roman.529.30937529/.3/0937Salzman Michele Reneeauthttp://id.loc.gov/vocabulary/relators/aut166693DE-B1597DE-B1597BOOK996248213403316On Roman time482013UNISA