00969nam0-2200289---450-99000979577040332120131127110058.0000979577FED01000979577(Aleph)000979577FED0100097957720131127d2008----km-y0itay50------baitaITa-------001yyCarolina Murat e Ingres a Portici, 1813-1814il bagno della Regina al Granatello un'architettura neo-dorica e il potere della libertà Massimo VisoneNapoli[s.n.]2008P. 113-130ill.24 cmEstratto da: Rendiconti dell'Accademia di Archeologia Lettere e Belle Arti, v. 74., 2006-2007Visone,Massimo297735ITUNINARICAUNIMARCBK99000979577040332109.3237550DARSTDARSTCarolina Murat e Ingres a Portici, 1813-1814836710UNINA01346nam 2200313z- 450 991016333640332120170924171456.01-62517-188-9(CKB)3810000000095431(VLeBooks)9781625171887(Exl-AI)993810000000095431(EXLCZ)99381000000009543120160919c2013uuuu -u- -engComplete Sol WorthS.lUSC Annenberg Press1 online resource (730 p.)One of the central figures in the development of the study of visual communication, Sol Worth (1922-1977) was a filmmaker and painter before he turned to academic pursuits. He began with the question of how film could be understood and studied as medium of communication, and from there, he moved on to larger and more profound questions about the nature of visual media in general and the role that visual images play in shaping and constructing realityVisual communicationGenerated by AIVisual perceptionGenerated by AIVisual communicationVisual perceptionGross Larry1353315Gross Larry1353315Ruby Jay1748333BOOK9910163336403321Complete Sol Worth4180973UNINA