01341nam0 22003251i 450 UON0010416420231205102607.15020020107d1973 |0itac50 balatBE|||| |||||Aristoteles Latinus XXVI, 1-3, fasciculus quintusEthica Nicomacheaindices verborumconfecit Renatus Antonius GauthierBruxellesDesclee de Brouwer ; LeidenBrill1973P. 591-75126 cmBEBruxellesUONL000128NLLeidenUONL003056AristotelesUONV0557874207GAUTHIERRenatus AntoniusUONV066647BrillUONV245886650Desclée de BrouwerUONV248271650ARISTOTELEAristotelesUONV005797ARASTUAristotelesUONV005800ARISTOTELE : di#StagiraAristotelesUONV055789PSEUDO ARISTOTELEAristotelesUONV055790ITSOL20250214RICASIBA - SISTEMA BIBLIOTECARIO DI ATENEOUONSIUON00104164SIBA - SISTEMA BIBLIOTECARIO DI ATENEOSI P 5 0126 013 SI MC 6277 5 Aristoteles Latinus XXVI, 1-3, fasciculus quintus1311494UNIOR03726nam 22006615 450 991016300340332120240307120002.09783319501550331950155010.1007/978-3-319-50155-0(CKB)3710000001045341(DE-He213)978-3-319-50155-0(MiAaPQ)EBC4800160(Perlego)3498139(EXLCZ)99371000000104534120170203d2017 u| 0engurnn|008mamaatxtrdacontentcrdamediacrrdacarrierSeptember 11, 2001 as a Cultural Trauma A Case Study through Popular Culture /by Christine Muller1st ed. 2017.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2017.1 online resource (XVI, 220 p.) 9783319501543 3319501542 Includes bibliographical references and index.1. Introduction: September 11, 2001, Cultural Trauma, and Popular Culture -- 2. Popular Press Oral Histories of September 11 -- 3. Limning the "Howling Space" of September 11 through Don DeLillo's Falling Man -- 4. The Crisis Fetish in Post-September 11 American Television -- 5. "Nothing To Do with All Your Strength": Power, Choice, and September 11 in The Dark Knight -- 6. Zero Dark Thirty and the Fantasy of Closure -- 7. Conclusion: Cultural Trauma: September 11, 2001 and Beyond.This book investigates the September 11, 2001 attacks as a case study of cultural trauma, as well as how the use of widely-distributed, easily-accessible forms of popular culture can similarly focalize evaluation of other moments of acute and profoundly troubling historical change. The attacks confounded the traditionally dominant narrative of the American Dream, which has persistently and pervasively featured optimism and belief in a just world that affirms and rewards self-determination. This shattering of a worldview fundamental to mainstream experience and cultural understanding in the United States has manifested as a cultural trauma throughout popular culture in the first decade of the twenty-first century. Popular press oral histories, literary fiction, television, and film are among the multiple, ubiquitous sites evidencing preoccupations with existential crisis, vulnerability, and moral ambivalence, with fate, no-win scenarios, and anti-heroes now pervading commonly-toldand readily-accessible stories. Christine Muller examines how popular culture affords sites for culturally-traumatic events to manifest and how readers, viewers, and other audiences negotiate their fallout.CommunicationMotion pictures, AmericanEthnologyAmericaCultureCollective memoryAmericaLiteraturesMedia and CommunicationAmerican Film and TVAmerican CultureMemory StudiesNorth American LiteratureCommunication.Motion pictures, American.EthnologyCulture.Collective memory.AmericaLiteratures.Media and Communication.American Film and TV.American Culture.Memory Studies.North American Literature.302.23Muller Christineauthttp://id.loc.gov/vocabulary/relators/aut457353BOOK9910163003403321September 11, 2001 as a Cultural Trauma2220936UNINA