03807nam 22005172 450 991016277220332120220429034331.01-78204-933-910.1515/9781782049333(CKB)3710000001044812(UkCbUP)CR9781782049333(MiAaPQ)EBC4793140(DE-B1597)674705(DE-B1597)9781782049333(EXLCZ)99371000000104481220170214d2017|||| uy| 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierThe best pairt of our play essays presented to John J. McGavinPart two /edited by Sarah Carpenter, Pamela M. King, Meg Twycross, and Greg Walker[electronic resource]Cambridge :D.S. Brewer,2017.1 online resource (177 pages) digital, PDF file(s)Medieval English theatre ;volume 38 (2016)Title from publisher's bibliographic system (viewed on 21 Apr 2017).1-84384-451-6 Frontmatter -- Contents -- Editorial -- The Funeral of Walter Scott, First Earl of Buccleuch: A Grand Ceremonial Occasion -- The Bright Star of the North: James I and his English Coronation -- 'Ye know eek that in forme of speche is change': Chaucer, Henryson, and the Welsh Troelus a Chresyd -- Playing the Crucifixion in Medieval Wales -- 'My Boy shall Knowe Himself from Other Men': Active Spectating, Annunciation, and the St John's College Narcissus -- 'I Speke so Miche to Ȝow': Authority, Didacticism, and Audience Address in Middle English Sermons and Morality Plays -- Early English Spectatorship and the 'Cognitive Turn' -- The Theatre of the Mind in Late-Medieval England -- Poetics and Beyond: Noisy Bodies and Aural Variations in Medieval English Outdoor Performance -- Women and the Performance of Libel in Early-Modern Devon -- Abraham Sacrifiant -- Editorial Board (2016)"Medieval English Theatre" is the premier journal in early theatre studies. Its name belies its wide range of interest: it publishes articles on theatre and pageantry from across the British Isles up to the opening of the London playhouses and the suppression of the civic mystery cycles, and also includes contributions on European and Latin drama, together with analyses of modern survivals or equivalents, and of research productions of medieval plays. This volume comprises the second half of the Festschrift presented to John J. McGavin (of which volume 27 is the first); its essays reflect and honour many of his interests. The subjects addressed include ceremonial (a coronation and a grand funeral), audience reception and spectatorship of many kinds, Welsh drama, the role of women in the production of libels, and the structure of didactic dialogue plays. A special addition is the late David Mills' last essay, on the Abraham Sacrifiant of Théodore Bèze. Contributors: Mishtooni Bose, Elisabeth Dutton, Alice Hunt, Pamela M. King, David N. Klausner, David Mills, Sue Niebrzydowski, Nadia Thérèse van Pelt, Charlotte Steenbrugge, Eila WilliamsonMedieval English theatre ;volume 38 (2016)TheaterEnglandHistoryMedieval, 500-1500English dramaTo 1500History and criticismTheaterHistoryEnglish dramaHistory and criticism.792/.09410902Carpenter SarahKing Pamela M.Twycross MegWalker GregMcGavin John J.UkCbUPUkCbUPBOOK9910162772203321The best pairt of our play2597341UNINA