01570oam 2200277z- 450 991016266800332120230913112557.01-61372-495-0(CKB)3710000001044372(BIP)055285782(BIP)041841556(EXLCZ)99371000000104437220210505c2012uuuu -u- -engEnd of the InnocenceHarmony Ink Press1 online resource (316 p.) 1-61372-494-2 Tales from Foster High: Book Two Kyle Stilleno is no longer the invisible boy, and he doesn't quite know how he feels about it. On one hand, he now has a great boyfriend, Brad Greymark, and a handful of new friends, and even a new job. On the other hand, no one screamed obscenities at him in public when he was invisible. No one expected him to become a poster boy for gay rights, either--at least not until Kyle stepped out of the closet and into the limelight. But there are only a few months of high school left, and Kyle doubts he can make a difference. With Christmas break drawing closer, Kyle and Brad are changing their lives to include each other. While the trials are far from over, they have their relationship to lean on. Others are not so lucky. One of their classmates needs their help--but Kyle and Brad's relationship may be too new to survive the strain.FictionGay menGoode John163572BOOK9910162668003321End of the Innocence3594191UNINA03498nam 2200625 450 991078901610332120200520144314.01-78238-279-810.1515/9781782382799(CKB)3710000000088870(EBL)1375274(SSID)ssj0001108833(PQKBManifestationID)11700777(PQKBTitleCode)TC0001108833(PQKBWorkID)11104270(PQKB)10308104(MiAaPQ)EBC1375274(Au-PeEL)EBL1375274(CaPaEBR)ebr10838899(CaONFJC)MIL600295(OCoLC)870946159(DE-B1597)636171(DE-B1597)9781782382799(EXLCZ)99371000000008887020140303h20142014 uy 0engur|n|---|||||txtccrSubjective realist cinema from expressionism to Inception /Matthew CamporaNew York, [New York] ;Oxford, [England] :Berghahn Books,2014.©20141 online resource (160 p.)Description based upon print version of record.1-78238-278-X Includes filmography, bibliographical references and index.Contents; Acknowledgments; Introduction; Three Periods of Narrative Experimentation; Multiform Narratives; Subjective Realism; 1. Complex Narratives; The New Hollywood and the Smart Film; New Hollywood Narration; Fragmented Narratives; Multi-strand Narratives; Multiform Narratives; Brazil; Puzzle Films; 2. Two Trajectories of the Cinema of Attractions; The Narrative Trajectory: Realism and Spectacle; The Avant-Garde Trajectory: Realism and Defamiliarization; 3. Subjective Realism and Multiform Narratives; Subjective Realism; Vertigo; The Fantastic; Wild Strawberries; 4. Mulholland DriveExpressionism and the Uncanny in Mulholland DriveThree Views; As Surrealist or Trance Film; As Fragmented, Subjective Realist Film; As Supernatural Film; It Is All an Illusion; 5. Memento; The Four Strands; Unreliable Narration; Disrupted Expectations; Subjective Realism; 6. Eternal Sunshine of the Spotless Mind; The Philosophy of Eternal Sunshine; Temporal Inversions; Subjective Realism; Sonic Metalepsis; The Marvelous Real; Conclusion; Filmography; Bibliography; Index Subjective Realist Cinema looks at the fragmented narratives and multiple realities of a wide range of films that depict subjective experience and employ "subjective realist" narration, including recent examples such as Mulholland Drive, Memento, and Eternal Sunshine of the Spotless Mind. The author proposes that an understanding of the narrative structures of these films, particularly their use of mixed and multiple realities, enhances viewers' enjoyment and comprehension of such films, and that such comprehension offers a key to understanding contemporaMotion picturesPhilosophySubjectivity in motion picturesRealism in motion picturesMotion picturesPhilosophy.Subjectivity in motion pictures.Realism in motion pictures.791.43/612Campora Matthew1549528MiAaPQMiAaPQMiAaPQBOOK9910789016103321Subjective realist cinema3807669UNINA