02520oam 22004214a 450 991015651820332120210915045943.010.21983/P3.0143.1.00(CKB)3710000000987259(OAPEN)1004613(OCoLC)1183377877(MdBmJHUP)muse87191(EXLCZ)99371000000098725920200729e20202016 uy 0engurmu#---auuuutxtrdacontentcrdamediacrrdacarrierWalk on the Beach: Things from the Sea, Volume 1Volume 1 edited by Maggie M. Williams and Karen OverbeyVolume 1 Baltimore, Maryland :Project Muse,2020©20201 online resource (60 unnumbered pages) illustrations (in colour); PDF, digital file(s)0-692-70764-6 We began with conversations about the sea. We meditated together on chance, discovery, agency, beauty, and material ecology. We talked about the delicate care of treading the world, the confluence of the personal and the professional, and the possibilities of storytelling. We thought about what happens when we encounter stuff, when we take it, change it, do something with it. When we display it, or sculpt it, or collect it. When we make something an object, and an object of looking.Then we met on the beach. We walked and talked about loss, home, agency, and liminality. We collected things: We picked up stones, feathers, seaweed. We pointed to stuff, gathered it, let it strike our fancy. Every shell nurtured a conversation among the artists, scientists, historians, poets, archivists, surfers, philosophers, and pirates who had joined the walk. We brought the sea-things back, manipulated them, and displayed them as works of art. Walk on the Beach is a souvenir of that project, a record of our bounty. It emerges from the process at the heart of art historical work: close looking. Thinking through objects, thinking with objects. Letting the things help us tell their stories.Bathing beachesPictoral worksBeachcombingPictoral worksElectronic books. Bathing beachesBeachcombingOverbey Karen EileenWilliams Maggie M.MdBmJHUPMdBmJHUPBOOK9910156518203321Walk on the Beach: Things from the Sea, Volume 12180506UNINA