01852 am 2200685 n 450 991051599860332120240104030706.0979-1-03-656274-710.4000/books.ifea.11915(CKB)5140000000026233(FrMaCLE)OB-ifea-11915(PPN)259402494(EXLCZ)99514000000002623320211206j|||||||| ||| 0spauu||||||m||||Cuando amar era pecadoSexualidad, poder e identidad entre los sodomitas coloniales (Virreinato del Perú, siglos XVI-XVII)Fernanda MolinaLa PazInstitut français d’études andines20211 online resource (179 p.) HistoryPérouépoque colonialejusticesexualitéhistoire socialeinquisitionsiècle 16siècle 17Perúperiodo colonialjusticiasexualidadhistoria socialinquisiciónsiglo 16siglo 17HistoryPérouépoque colonialejusticesexualitéhistoire socialeinquisitionsiècle 16siècle 17Perúperiodo colonialjusticiasexualidadhistoria socialinquisiciónsiglo 16siglo 17Molina Fernanda1455914María Presta Ana1455915FR-FrMaCLEBOOK9910515998603321Cuando amar era pecado3657488UNINA03714oam 2200673I 450 991015511650332120240505170856.097813156768521315676850978131738642113173864269781317386414131738641810.4324/9781315676852(CKB)4340000000024007(MiAaPQ)EBC4767443(OCoLC)967745445(OCoLC)965826139(UkLoBP)BP9781315676852BVA(EXLCZ)99434000000002400720180706d2017 uy 0engurcnu||||||||rdacontentrdamediardacarrierContemporary art and digital culture /Melissa Gronlund1st ed.Milton Park, Abingdon :Taylor & Francis Ltd,2016.London :Bloomsbury Publishing (UK),2025.1 online resource (247 pages) illustrations9781138936386 1138936383 Includes bibliographical references and index.Introduction: beyond the visible image -- Reproducibility and appropriation in the twentieth century: precursors to the digital age -- Cybernetics and the posthuman: the emergence of art systems -- Challenges to immateriality: posthumanist thought and digitality -- Violence and the surveilled internet -- Identity, language and the body online -- The art world infrastructure post-internet.Contemporary Art and Digital Culture/ analyses the impact of the internet and digital technologies upon art today. Art over the last fifteen years has been deeply inflected by the rise of the internet as a mass cultural and socio-political medium, while also responding to urgent economic and political events, from the financial crisis of 2008 to the ongoing conflicts in the Middle East.This book looks at how contemporary art addresses digitality, circulation, privacy, and globalisation, and suggests how feminism and gender binaries have been shifted by new mediations of identity. It situates current artistic practice both in canonical art history and in technological predecessors such as cybernetics and net.art, and takes stock of how the art-world infrastructure has reacted to the internet's promises of democratisation. An invaluable resource for undergraduate and postgraduate students of contemporary art - especially those studying history of art and art practice and theory - as well as those working in film, media, curation, or art education.Melissa Gronlund is a writer and lecturer on contemporary art, specialising in the moving image. From 2007-2015, she was co-editor of the journal Afterall, and her writing has appeared there and in Artforum, e-flux journal, frieze, the NewYorker.com, and many other places.Art and the InternetArts and societyDigital mediaSocial aspectsTechnology and the artsArt & design styles: from c 1960bicsscInternet: general worksbicsscMedia studiesbicsscArt and the InternetArts and societyDigital mediaSocial aspectsTechnology and the arts.Art & design styles: from c 1960Internet: general worksMedia studies701/.03701.03Gronlund Melissa976289UkLoBPUkLoBPBOOK9910155116503321Contemporary art and digital culture2223869UNINA