03380oam 2200493I 450 991015500110332120260202130333.01-351-95383-41-315-26103-010.4324/9781315261034(CKB)3710000000965255(MiAaPQ)EBC4758560(OCoLC)973143500(BIP)63376514(BIP)42479241(EXLCZ)99371000000096525520180706e20162014 uy 0engurcnu||||||||rdacontentrdamediardacarrierByzantine images and their afterlives essays in honor of Annemarie Weyl Carr /edited by Lynn Jones1st ed.London ;New York :Routledge,2016.1 online resource (305 pages) illustrations"First published 2014 by Ashgate Publisher"--t.p. verso.1-4094-4291-8 1-351-95384-2 Includes bibliographical references at the end of each chapters and index.pt. 1. Manuscripts : workshops, subgroups, and influences -- pt. 2. Intent and reception -- pt. 3. Cypriot influences -- pt. 4. The nature of copies.The twelve papers written for this volume reflect the wide scope of Annemarie Weyl Carr's interests and the equally wide impact of her work. The concepts linking the essays include the examination of form and meaning, the relationship between original and copy, and reception and cultural identity in medieval art and architecture. Carr's work focuses on the object but considers the audience, looks at the copy for retention or rejection of the original form and meaning, and always seeks to understand the relationship between intent and perception. She examines the elusive nature of 'center' and 'periphery', expanding and enriching the discourse of manuscript production, icons and their copies, and the dissemination of style and meaning. Her body of work is impressive in its chronological scope and geographical extent, as is her ability to tie together aspects of patronage, production and influence across the medieval Mediterranean. The volume opens with an overview of Carr's career at Southern Methodist University, by Bonnie Wheeler. Kathleen Maxwell, Justine Andrews and Pamela Patton contribute chapters in which they examine workshops, subgroups and influences in manuscript production and reception. Diliana Angelova, Lynn Jones and Ida Sinkevic offer explorations of intent and reception, focusing on imperial patronage, relics and reliquaries. Cypriot studies are represented by Michele Bacci and Maria Vassilaki, who examine aspects of form and style in architecture and icons. The final chapters, by Jaroslav Folda, Anthony Cutler, Rossitza Schroeder and Ann Driscoll, are linked by their focus on the nature of copies, and tease out the ways in which meaning is retained or altered, and the role that is played by intent and reception.Art, ByzantineArt, Byzantine.709.495Carr Annemarie Weyl880986Jones Lynn1958-880987MiAaPQMiAaPQMiAaPQBOOK9910155001103321Byzantine images and their afterlives1967735UNINA