02022oam 22004694a 450 991015470840332120180817105041.00-253-02836-1(CKB)4340000000022975(MiAaPQ)EBC4767248(OCoLC)1016808571(MdBmJHUP)muse57715(EXLCZ)99434000000002297520040812d2005 uy 0engurcnu||||||||rdacontentrdamediardacarrierUnsettling Scores[electronic resource] German Film, Music, and Ideology /Roger HillmanBloomington, Indiana ;Indianapolis, [Indiana] :Indiana University Press,2005.©20051 online resource (233 pages) illustrations0-253-21754-7 0-253-34537-5 Includes bibliographical references (p. 199-212) and index.Establishing a tonal center -- Music as cultural marker in German film -- History on the soundtrack : the example of Beethoven's Ninth -- A Wagnerian German requiem : Syberberg's Hitler (1977) -- Alexander Kluge's Songs without words : Die Patriotin (1979) -- Fassbinder's compromised request concert : Lili Marleen (1980) -- The great eclecticism of the filmmaker Werner Herzog -- Pivot chords : Austrian music and Visconti's Senso (1954) -- Conclusion : film music and cultural memory.National socialism and motion picturesMotion picture musicGermanyHistory and criticismMotion pictures and musicGermanyElectronic books. National socialism and motion pictures.Motion picture musicHistory and criticism.Motion pictures and music791.4302/4Hillman Roger1236014MdBmJHUPMdBmJHUPBOOK9910154708403321Unsettling Scores2870369UNINA