02261oam 2200517zu 450 991015433870332120210731015259.00-19-998180-9(CKB)2560000000296658(SSID)ssj0001225802(PQKBManifestationID)11993680(PQKBTitleCode)TC0001225802(PQKBWorkID)11270148(PQKB)11531030(StDuBDS)EDZ0000243783(MiAaPQ)EBC4842578(EXLCZ)99256000000029665820160829d2014 uy engur|||||||||||txtccrFour-handed monsters : four-hand piano playing and nineteenth-century cultureNew York :Oxford University Press,2014.1 online resource illustrations (black and white)Bibliographic Level Mode of Issuance: Monograph0-19-998177-9 0-19-937008-7 Includes bibliographical references and index.Daub provides the first in-depth study of four-hand piano playing as both a musical and a cultural phenomenon. He argues that through the newly emergent forms of dissemination that became possible in the nineteenth century, and in concert with the ever more popular piano, four-hand piano playing became a central organising institution of nineteenth-century home culture. In the course of the nineteenth century, four-hand piano playing emerged across Europe as a popular pastime of the well-heeled classes and of those looking to join them.Piano music (4 hands)History and criticism19th centuryMusicHILCCMusic, Dance, Drama & FilmHILCCMusic History & Criticism, InstrumentalHILCCPiano music (4 hands)History and criticismMusicMusic, Dance, Drama & FilmMusic History & Criticism, Instrumental785/.6219209034Daub Adrian1242188PQKBBOOK9910154338703321Four-handed monsters : four-hand piano playing and nineteenth-century culture2881369UNINA