02784nam 22006015 450 991048362810332120230810165832.09783030335502303033550X10.1007/978-3-030-33550-2(CKB)4940000000158728(MiAaPQ)EBC6005459(DE-He213)978-3-030-33550-2(Perlego)3480295(EXLCZ)99494000000015872820200103d2020 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierBritish Film Music Musical Traditions in British Cinema, 1930s-1950s /by Paul Mazey1st ed. 2020.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2020.1 online resource (221 pages)Palgrave Studies in Audio-Visual Culture,2634-63629783030335496 3030335496 Introduction -- 1. The Aesthetic Conventions of British Film Music -- 2. Pastoral Music -- 3. Folk Song -- 4. Choral Music -- 5. March Music -- Conclusion. .This book offers a fresh approach to British film music by tracing the influence of Britain's musical heritage on the film scores of this era. From the celebration of landscape and community encompassed by pastoral music and folk song, and the connection of both with the English Musical Renaissance, to the mystical strains of choral sonorities and the stirring effects of the march, this study explores the significance of music in British film culture. With detailed analyses of the work of such key filmmakers as Michael Powell and Emeric Pressburger, Laurence Olivier and Carol Reed, and composers including Ralph Vaughan Williams, William Walton and Brian Easdale, this systematic and in-depth study explores the connotations these musical styles impart to the films and considers how each marks them with a particularly British inflection. .Palgrave Studies in Audio-Visual Culture,2634-6362Motion picturesMusicMotion picturesGreat BritainAudio-Visual CultureMusicBritish Film and TVMotion pictures.Music.Motion picturesAudio-Visual Culture.Music.British Film and TV.781.5420941791.43Mazey Paulauthttp://id.loc.gov/vocabulary/relators/aut867045MiAaPQMiAaPQMiAaPQBOOK9910483628103321British Film Music1935252UNINA02508nam 22007693a 450 991015374870332120250203235528.097888604610258860461022(CKB)3880000000044280(OAPEN)639804(oapen)https://directory.doabooks.org/handle/20.500.12854/30056(ScCtBLL)9c4e0e39-baf6-4ff1-8793-36619647517c(OCoLC)1167051517(oapen)doab30056(EXLCZ)99388000000004428020250203i20132020 uu enguuuuu---auuuutxtrdacontentcrdamediacrrdacarrierRhoticsŠtefan Beňuš, Antonio Romano, Evan-Gary CohenBozen-Bolzanobu,press2013Bozen-Bolzano :bu,press,2013.1 online resource (276)9788860460554 8860460557 This book provides an insight into the patterns of variation and change of rhotics in different languages and from a variety of perspectives. It sheds light on the phonetics, the phonology, the socio-linguistics and the acquisition of /r/-sounds in languages as diverse as Dutch, English, French, German, Greek, Hebrew, Italian, Kuikuro, Malayalam, Romanian, Slovak, Tyrolean and Washili Shingazidja thus contributing to the discussion on the unity and uniqueness of this group of sounds.Linguisticsbicsscphonetikphoneticslanguage acquisitionphonologyfoneticasoziolinguistiklinguephonologier-soundslautlehrefonologiainsegnamento delle linguesprachenlanguager-lautrhoticsspracherwerbsocio-linguisticasuono rsociolinguisticsConsonantItalySyllableUvular consonantVoiced dentalalveolar and postalveolar trillsVowelLinguisticsBeňuš Štefan610144Romano AntonioCohen Evan-GaryScCtBLLScCtBLLBOOK9910153748703321Rhotics4321698UNINA