03161 am 2200949 n 450 99102822271033212018050288-7885-367-488-7885-445-X10.4000/books.res.984(CKB)4100000005679408(FrMaCLE)OB-res-984(oapen)https://directory.doabooks.org/handle/20.500.12854/44144(PPN)22825020X(EXLCZ)99410000000567940820180525j|||||||| ||| 0itauu||||||m||||txtrdacontentcrdamediacrrdacarrierCoscienza e fenomenologia del sé /Thomas Metzinger, Ugo PeroneTorino Rosenberg & Sellier20181 online resource (158 p.) 88-7885-257-0 Nella prospettiva che Metzinger difende nelle lezioni raccolte in questo volume, l’io, come scrive nell’introduzione Alfredo Paternoster, «viene a configurarsi come nulla di più di un’utile recita, una sorta di allucinazione, costruita però con materiali genuini». Sullo sfondo dell’eredità di Hume, ripresa oggi da Dennett, Metzinger delinea un ampio programma di ricerca, anche empirica, inteso a mostrare come si pervenga a una rappresentazione del sé; tale rappresentazione tuttavia non attesta l’esistenza di qualcosa come una coscienza.PhilosophyHumerappresentazione del sécoscienzafilosofiaioetica della coscienzacoscienza fenomenicareprésentation de soiconsciencephilosophieJeéthique de la conscienceconscience phénoménalerepresentation of selfconsciousnessphilosophyIethics of consciencephenomenal consciousnessconsciousnessHumerepresentation of selfIphilosophyethics of consciencephenomenal consciousnessPhilosophyHumerappresentazione del sécoscienzafilosofiaioetica della coscienzacoscienza fenomenicareprésentation de soiconsciencephilosophieJeéthique de la conscienceconscience phénoménalerepresentation of selfconsciousnessphilosophyIethics of consciencephenomenal consciousnessMetzinger Thomas473314Paternoster Alfredo451025Perone Ugo143817Perone Ugo143817FR-FrMaCLEBOOK9910282227103321Coscienza e fenomenologia del sé3020947UNINA03469nam 2200517 450 991015052480332120200520144314.00-7509-6856-7(CKB)3710000000943940(MiAaPQ)EBC4781485(Au-PeEL)EBL4781485(CaPaEBR)ebr11328658(CaONFJC)MIL916653(OCoLC)948249960(BIP)049121098(EXLCZ)99371000000094394020170126h20162016 uy 0engurcnu||||||||rdacontentrdamediardacarrierShakespeare's bastard the life of Sir William Davenant /Simon Andrew StirlingStroud, [England] :The History Press,2016.20161 online resource (238 pages) illustrations, photographs0-7509-6107-4 Includes bibliographical references.The extraordinary life of Sir William Davenant, from death to birth, culminating with an answer to the question: was he Shakespeare's natural son? Sir William Davenant (1606-1668) - Poet Laureate and Civil War hero - is one of the most influential and neglected figures in the history of British theatre. He introduced 'opera', actresses, scenes and the proscenium arch to the English stage. Narrowly escaping execution for his Royalist activities during the Civil War, he revived theatrical performances in London, right under Oliver Cromwell's nose. Nobody, perhaps, did more to secure Shakespeare's reputation or to preserve the memory of the Bard. Davenant was known to boast over a glass of wine that he wrote 'with the very spirit' of Shakespeare and was happy to be thought of as Shakespeare's son. By recounting the story of his eventful life backwards, through his many trials and triumphs, this biography culminates with a fresh examination of the vexed issue of Davenant's paternity. Was Sir William's mother the voluptuous and maddening 'Dark Lady' of Shakespeare's Sonnets, and was he Shakespeare's 'lovely boy'? AUTHOR: Simon Andrew Stirling is an award-winning scriptwriter, historical researcher and public speaker. Simon's first major book of historical nonfiction, The King Arthur Conspiracy: How a Scottish Prince Became a Mythical Hero (published by The History Press in 2012), was quickly followed by his ground-breaking Who Killed William Shakespeare? The Murderer, the Motive, the Means (2013). SELLING POINTS: * Rarity value: the subject is little known, and biographies of Davenant are thin on the ground * With the 400th anniversary of Shakespeare's death approaching (23 April 2016) worldwide attention will be focused on Shakespeare's life, death and legacy - a good time to remind the world of Davenant's status as his 'godson' * New research, building on the findings previously published in "Who Killed William Shakespeare?" 8pp b/wAuthors, EnglishEarly modern, 1500-1700BiographyAuthors, EnglishAuthors, EnglishAuthorsLiterary CriticismBiography & AutobiographyAuthors, EnglishAuthors, English.820.9Stirling Simon Andrew1380010MiAaPQMiAaPQMiAaPQBOOK9910150524803321Shakespeare's bastard3420710UNINA